The Last Lisheng: Folklorization, Forgetting, and Resistance in Rural China

This article examines the progressive disappearance of the lisheng (礼生), the traditional master of ceremonies in rural China, interpreting this phenomenon as a manifestation of a profound cultural transformation. Drawing on case studies from Sibao, Qufu, and Yanggao, it identifies three interrelated processes: the folklorization of ritual practices, institutional forgetting, and forms of strategic resistance. To analyze these dynamics, the article establishes a dialogue between Western social theory and Chinese intellectual traditions, proposing the concept of compensatory modernity — developed here in dialogue with Wang Hui´s (2016) critique of Chinese modernization — to account for the state’s and market’s attempts to replace lost forms of collective meaning once sustained by figures such as the lisheng. Their disappearance therefore raises a fundamental question about the erosion of communal meaning-making in the context of modernization.

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Publication Details

Journal
China Global Review.
Published
2026-11-11
DOI
https://doi.org/10.53897/revchinagr.2026.08.04
Primary Topic
Chinese history and philosophy
Type
article
Field-Weighted Citation Impact
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article

The Last Lisheng: Folklorization, Forgetting, and Resistance in Rural China

José Javier Gata Bonilla
China Global Review.
Chinese history and philosophy
article

The Last Lisheng: Folklorization, Forgetting, and Resistance in Rural China

José Javier Gata Bonilla
article en

Abstract

This article examines the progressive disappearance of the lisheng (礼生), the traditional master of ceremonies in rural China, interpreting this phenomenon as a manifestation of a profound cultural transformation. Drawing on case studies from Sibao, Qufu, and Yanggao, it identifies three interrelated processes: the folklorization of ritual practices, institutional forgetting, and forms of strategic resistance. To analyze these dynamics, the article establishes a dialogue between Western social theory and Chinese intellectual traditions, proposing the concept of compensatory modernity — developed here in dialogue with Wang Hui´s (2016) critique of Chinese modernization — to account for the state’s and market’s attempts to replace lost forms of collective meaning once sustained by figures such as the lisheng. Their disappearance therefore raises a fundamental question about the erosion of communal meaning-making in the context of modernization.

China Global Review.Vol. 4(8)
Universitat de Barcelona (ES)
Chinese history and philosophy
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