Exhibiting the Etruscans Today: Rethinking Ways of Bridging the Past and the Present

Abstract In 2026, three exhibitions on the Etruscans went on display in California’s Bay Area, providing the impetus for a workshop that brought together professionals working on strategies to make the Etruscans’ heritage engaging and relevant to diverse 21st-century museumgoers. These proceedings include case studies about institutions and exhibitions in Italy, Denmark, and the United States. The first contributions outline the strategies being employed to modernize the Etruscan displays and didactic materials at Italian national and regional museums, as well as efforts aimed at increasing accessibility and understanding through multimedia supports. Next is an overview of the collecting policies and curatorial trends at the four largest Danish museums with Classical antiquities, each of which continues to shape how the Etruscans are understood outside Italy. The final set of essays considers the exhibitions in the Bay Area as well as two others, one in New York City that highlighted new material from Poggio Colla and Norchia and the second at a regional museum in the southeast. The authors address topics ranging from curatorial rationales and design decisions to the use of 3D replicas and AI and how collections research can provide critical hands-on experiences for art history and museum studies students.

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Publication Details

Journal
Etruscan and Italic Studies
Published
2026-11-11
DOI
https://doi.org/10.1515/etst-2026-0018
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
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article

Exhibiting the Etruscans Today: Rethinking Ways of Bridging the Past and the Present

Cecilie Brøns, Daniele F. Maras, Alexandra A. Carpino, Kristine Bøggild Johannsen et al.
Etruscan and Italic Studies
Museums and Cultural Heritage
article

Exhibiting the Etruscans Today: Rethinking Ways of Bridging the Past and the Present

Cecilie Brøns, Daniele F. Maras, Alexandra A. Carpino, Kristine Bøggild Johannsen, Nancy T. de Grummond, Branko F. van Oppen de Ruiter, Lisa C. Pieraccini, Maurizio Forte, Michael L. Thomas, Vinnie Nørskov, P. Gregory Warden, Luana Toniolo, Alexander Ekserdjian, Bodil Bundgaard Rasmussen
article en

Abstract

Abstract In 2026, three exhibitions on the Etruscans went on display in California’s Bay Area, providing the impetus for a workshop that brought together professionals working on strategies to make the Etruscans’ heritage engaging and relevant to diverse 21st-century museumgoers. These proceedings include case studies about institutions and exhibitions in Italy, Denmark, and the United States. The first contributions outline the strategies being employed to modernize the Etruscan displays and didactic materials at Italian national and regional museums, as well as efforts aimed at increasing accessibility and understanding through multimedia supports. Next is an overview of the collecting policies and curatorial trends at the four largest Danish museums with Classical antiquities, each of which continues to shape how the Etruscans are understood outside Italy. The final set of essays considers the exhibitions in the Bay Area as well as two others, one in New York City that highlighted new material from Poggio Colla and Norchia and the second at a regional museum in the southeast. The authors address topics ranging from curatorial rationales and design decisions to the use of 3D replicas and AI and how collections research can provide critical hands-on experiences for art history and museum studies students.

Etruscan and Italic Studies
Florida State University (US), The University of Texas at Dallas (US), Duke University (US), Southern Methodist University (US), Northern Arizona University (US), Aarhus University (DK), Ny Carlsberg Glyptotek (DK), Yale University (US), National Museum of Denmark (DK), University of California, Berkeley (US)
Museums and Cultural Heritage
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