Where Giants Danced: The Literatures of Stonehenge

Interpreting the cultural significance of large ancient structures frequently involves ascribing religious or ritual purposes to their architecture and plans. The range of successive meanings generated are formed through an intersection of areas of knowledge including local and global religious history, national traditions, archaeology, and popular culture. This article explores this process within the literature created on the famous megalithic site of Stonehenge from medieval to modern times.

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Publication Details

Journal
Journal of Religious & Theological Information
Published
2026-11-10
DOI
https://doi.org/10.1080/10477845.2026.2760182
Primary Topic
Historical and Architectural Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Where Giants Danced: The Literatures of Stonehenge

Robert B. Marks Ridinger
Journal of Religious & Theological Information
Historical and Architectural Studies
article

Where Giants Danced: The Literatures of Stonehenge

Robert B. Marks Ridinger
article en

Abstract

Interpreting the cultural significance of large ancient structures frequently involves ascribing religious or ritual purposes to their architecture and plans. The range of successive meanings generated are formed through an intersection of areas of knowledge including local and global religious history, national traditions, archaeology, and popular culture. This article explores this process within the literature created on the famous megalithic site of Stonehenge from medieval to modern times.

Journal of Religious & Theological Information
Northern Illinois University (US)
Historical and Architectural Studies
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Where Giants Danced: The Literatures of Stonehenge — Robert B. Marks Ridinger · Journal of Religious & Theological Information (2026) | TGRS Research Map | TGRS