Innovative advertising strategies of the “Peter Makovický” Bryndza (sheep cheese) Dairy at the turn of the 19th and 20th centuries and the influence of Art Nouveau on their visual design

The study examines the advertising strategies of the bryndza-producing company “Peter Makovický” at the turn of the 19th and 20th centuries, focusing on forms of promotion and the influence of Art Nouveau on their visual appearance. Based on an analysis of period press, calendars, and visual sources preserved in museum collections, it identifies a wide range of advertising tools, from textual advertisements to posters, vignettes, and labels. Particular attention is paid to the motif of a shepherdess derived from the work of Jaroslav Věšín, which became a key visual element of the brand. The study highlights the transition from simple informational advertising to more visually sophisticated solutions influenced by Art Nouveau aesthetics. Although the posters do not fully correspond to formal Art Nouveau principles, they reflect its thematic and ideological aspects, especially the idealization of nature and rural life. The research demonstrates that the company employed innovative and modern marketing strategies that contributed to the successful promotion of bryndza in both domestic and international markets.

Authors

Publication Details

Journal
Acta historica Neosoliensia
Published
2026-11-09
DOI
https://doi.org/10.24040/ahn.2026.29.01.05-29
Primary Topic
American History and Culture
Type
article
Field-Weighted Citation Impact
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article

Innovative advertising strategies of the “Peter Makovický” Bryndza (sheep cheese) Dairy at the turn of the 19th and 20th centuries and the influence of Art Nouveau on their visual design

Rastislav Molda
Acta historica Neosoliensia
American History and Culture
article

Innovative advertising strategies of the “Peter Makovický” Bryndza (sheep cheese) Dairy at the turn of the 19th and 20th centuries and the influence of Art Nouveau on their visual design

Rastislav Molda
article en

Abstract

The study examines the advertising strategies of the bryndza-producing company “Peter Makovický” at the turn of the 19th and 20th centuries, focusing on forms of promotion and the influence of Art Nouveau on their visual appearance. Based on an analysis of period press, calendars, and visual sources preserved in museum collections, it identifies a wide range of advertising tools, from textual advertisements to posters, vignettes, and labels. Particular attention is paid to the motif of a shepherdess derived from the work of Jaroslav Věšín, which became a key visual element of the brand. The study highlights the transition from simple informational advertising to more visually sophisticated solutions influenced by Art Nouveau aesthetics. Although the posters do not fully correspond to formal Art Nouveau principles, they reflect its thematic and ideological aspects, especially the idealization of nature and rural life. The research demonstrates that the company employed innovative and modern marketing strategies that contributed to the successful promotion of bryndza in both domestic and international markets.

Acta historica NeosoliensiaVol. 29(1)
American History and Culture
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