Jamming the genocide: The ethics of visual media, social platforms and resistance in Gaza

This study examines the role of visual media in disrupting the genocide in Gaza through a cultural jamming framework and a critical visual rhetoric lens. Drawing from visual imagery that circulated on X between November 2023 and June 2024, the study employs a critical thematic analysis to analyse imagery and political cartoons shared after 7 October 2023. The analysis focuses on how users employed visual remixing, symbolism and satire to challenge dominant narratives, reveal hypocrisy and resist censorship in digital spaces. The analysis identifies four key themes: symbolism and visual resistance; US and global complicity; media bias and censorship; leadership and legitimacy. These themes reveal that visual media operates as both a site of political resistance and erasure, transforming witnessing and grief into acts of digital solidarity and counter-hegemonic expression. The study contributes to scholarship on digital activism, visual communication, and media by bridging cultural jamming and critical visual rhetoric. It demonstrates how visual media reclaims representational power, challenges hegemonic structures of visibility and reframes the politics of seeing within global communication on Palestine.

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Publication Details

Journal
Journal of Arab & Muslim Media Research
Published
2026-11-09
DOI
https://doi.org/10.1386/jammr_00136_1
Primary Topic
Photography and Visual Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Jamming the genocide: The ethics of visual media, social platforms and resistance in Gaza

Haneen Shafeeq Ghabra
Journal of Arab & Muslim Media Research
Photography and Visual Culture
article

Jamming the genocide: The ethics of visual media, social platforms and resistance in Gaza

Haneen Shafeeq Ghabra
article en

Abstract

This study examines the role of visual media in disrupting the genocide in Gaza through a cultural jamming framework and a critical visual rhetoric lens. Drawing from visual imagery that circulated on X between November 2023 and June 2024, the study employs a critical thematic analysis to analyse imagery and political cartoons shared after 7 October 2023. The analysis focuses on how users employed visual remixing, symbolism and satire to challenge dominant narratives, reveal hypocrisy and resist censorship in digital spaces. The analysis identifies four key themes: symbolism and visual resistance; US and global complicity; media bias and censorship; leadership and legitimacy. These themes reveal that visual media operates as both a site of political resistance and erasure, transforming witnessing and grief into acts of digital solidarity and counter-hegemonic expression. The study contributes to scholarship on digital activism, visual communication, and media by bridging cultural jamming and critical visual rhetoric. It demonstrates how visual media reclaims representational power, challenges hegemonic structures of visibility and reframes the politics of seeing within global communication on Palestine.

Journal of Arab & Muslim Media Research
Kuwait University (KW)
Photography and Visual Culture
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