The color palette of the Tashkent school of ornamental art

This article highlights the distinctive color palette of the Tashkent school of ornamental art, its historical development, artistic and aesthetic features, and its role in national decorative art. The harmony of colors characteristic of the Tashkent school of ornamental art, the compositional solutions of ornamental elements, and the symbolic and figurative meanings of colors are analyzed from an academic and artistic perspective. Furthermore, the use of blue, light blue, green, red, yellow, white, and other colors in ornamental art, their mutual balance, and their significance in decorative compositions are examined. The color traditions of the Tashkent school of ornamental art, the master-apprentice tradition, and their continuity in contemporary applied arts constitute the main research areas of this study.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-11-07
DOI
https://doi.org/10.5281/zenodo.24039807
Primary Topic
Crafts, Textile, and Design
Type
article
Field-Weighted Citation Impact
0.00
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article

The color palette of the Tashkent school of ornamental art

Inog'omxo'jayev Xojiakbar
2 links
Zenodo (CERN European Organization for Nuclear Research)
Crafts, Textile, and Design
article

The color palette of the Tashkent school of ornamental art

Inog'omxo'jayev Xojiakbar
article en

Abstract

This article highlights the distinctive color palette of the Tashkent school of ornamental art, its historical development, artistic and aesthetic features, and its role in national decorative art. The harmony of colors characteristic of the Tashkent school of ornamental art, the compositional solutions of ornamental elements, and the symbolic and figurative meanings of colors are analyzed from an academic and artistic perspective. Furthermore, the use of blue, light blue, green, red, yellow, white, and other colors in ornamental art, their mutual balance, and their significance in decorative compositions are examined. The color traditions of the Tashkent school of ornamental art, the master-apprentice tradition, and their continuity in contemporary applied arts constitute the main research areas of this study.

Zenodo (CERN European Organization for Nuclear Research)
Openalex Percentile: Top 4%
Crafts, Textile, and Design
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