The Ghost in the Gallery: Meaning-Making, the “Aura” and Cultural Value in an Automated World

The emergence of Generative AI has established a state of "functional parity"1 between algorithmic output and human creativity, triggering a fundamental crisis in the valuation of culture. Historically, the significance of an artifact was anchored in its "aura"—the Walter Benjamin-defined presence of a work rooted in its physical and temporal uniqueness.2 In the current era of algorithmic abundance, where the marginal cost of production is negligible, this paper examines how the locus of meaning is migrating from the act of creation to the labor of curation. By applying a neo-Benjaminian lens to synthetic media, we investigate whether the cultural "soul" is being extinguished by mechanical mimicry or reimagined through a new digital folklore. Central to this inquiry is the rise of the "Human-Premium" market—a sociological shift that reclaims biological imperfection and manual labor as the ultimate markers of authenticity. We ultimately conclude that while AI can replicate the aesthetic forms of the past, the generation of meaning remains an exclusively human transaction, necessitating a radical reappraisal of artistic merit for a post-scarcity world.

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Publication Details

Journal
International Journal of Innovative Science and Research Technology (IJISRT)
Published
2026-11-06
DOI
https://doi.org/10.38124/ijisrt/26nov008
Primary Topic
Art, Technology, and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

The Ghost in the Gallery: Meaning-Making, the “Aura” and Cultural Value in an Automated World

Mohamed El Hamdaoui
2 links
International Journal of Innovative Science and Research Technology (IJISRT)
Art, Technology, and Culture
article

The Ghost in the Gallery: Meaning-Making, the “Aura” and Cultural Value in an Automated World

Mohamed El Hamdaoui
article en

Abstract

The emergence of Generative AI has established a state of "functional parity"1 between algorithmic output and human creativity, triggering a fundamental crisis in the valuation of culture. Historically, the significance of an artifact was anchored in its "aura"—the Walter Benjamin-defined presence of a work rooted in its physical and temporal uniqueness.2 In the current era of algorithmic abundance, where the marginal cost of production is negligible, this paper examines how the locus of meaning is migrating from the act of creation to the labor of curation. By applying a neo-Benjaminian lens to synthetic media, we investigate whether the cultural "soul" is being extinguished by mechanical mimicry or reimagined through a new digital folklore. Central to this inquiry is the rise of the "Human-Premium" market—a sociological shift that reclaims biological imperfection and manual labor as the ultimate markers of authenticity. We ultimately conclude that while AI can replicate the aesthetic forms of the past, the generation of meaning remains an exclusively human transaction, necessitating a radical reappraisal of artistic merit for a post-scarcity world.

International Journal of Innovative Science and Research Technology (IJISRT)Vol. 11(11)
Université Sultan Moulay Slimane (MA)
Openalex Percentile: Top 3%
Art, Technology, and Culture
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