The House that Speaks

How can digital and analogue methods be combined to produce new, low-threshold forms of mediating architectural heritage? This proof of concept examines the question through a single case: a historic farmhouse from Adelboden, relocated to the Ballenberg open-air museum, configured as a conversational partner for its visitors. A 450-page doctoral thesis on the building constitutes the sole knowledge base for its responses. A persona layer supplies register and narrative stance — playful about the relocation, nostalgic about former inhabitants — while retrieval constrains that voice to the source material. Scholarship that remains largely inaccessible to museum audiences is thereby reframed as a brief, situated exchange with the exhibit itself.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-11-06
DOI
https://doi.org/10.5281/zenodo.24012708
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00
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article

The House that Speaks

Ludovic Amruthalingam, Christian Schnellmann, Tobias Matter, Christoph Schneider et al.
1 links
Zenodo (CERN European Organization for Nuclear Research)
Museums and Cultural Heritage
article

The House that Speaks

Ludovic Amruthalingam, Christian Schnellmann, Tobias Matter, Christoph Schneider, Stefan Kunz, Boris Lauper, Riva Pinto, Nadine Grabmaier
article en

Abstract

How can digital and analogue methods be combined to produce new, low-threshold forms of mediating architectural heritage? This proof of concept examines the question through a single case: a historic farmhouse from Adelboden, relocated to the Ballenberg open-air museum, configured as a conversational partner for its visitors. A 450-page doctoral thesis on the building constitutes the sole knowledge base for its responses. A persona layer supplies register and narrative stance — playful about the relocation, nostalgic about former inhabitants — while retrieval constrains that voice to the source material. Scholarship that remains largely inaccessible to museum audiences is thereby reframed as a brief, situated exchange with the exhibit itself.

Zenodo (CERN European Organization for Nuclear Research)
Lucerne University of Applied Sciences and Arts (CH)
Openalex Percentile: Top 4%
Museums and Cultural Heritage
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