The House that Speaks
How can digital and analogue methods be combined to produce new, low-threshold forms of mediating architectural heritage? This proof of concept examines the question through a single case: a historic farmhouse from Adelboden, relocated to the Ballenberg open-air museum, configured as a conversational partner for its visitors. A 450-page doctoral thesis on the building constitutes the sole knowledge base for its responses. A persona layer supplies register and narrative stance — playful about the relocation, nostalgic about former inhabitants — while retrieval constrains that voice to the source material. Scholarship that remains largely inaccessible to museum audiences is thereby reframed as a brief, situated exchange with the exhibit itself.
Authors
- Ludovic Amruthalingam (ORCID: https://orcid.org/0000-0001-5980-5469)
- Christian Schnellmann (ORCID: https://orcid.org/0000-0001-8721-7234)
- Tobias Matter (ORCID: https://orcid.org/0000-0001-7766-3660)
- Christoph Schneider
- Stefan Kunz (ORCID: https://orcid.org/0009-0008-2973-7918)
- Boris Lauper
- Riva Pinto
- Nadine Grabmaier
Institutions
- Lucerne University of Applied Sciences and Arts (CH)
Publication Details
- Journal
- Zenodo (CERN European Organization for Nuclear Research)
- Published
- 2026-11-06
- DOI
- https://doi.org/10.5281/zenodo.24012708
- Primary Topic
- Museums and Cultural Heritage
- Type
- article
- Field-Weighted Citation Impact
- 0.00