DECONSTRUCTION OF MYTHS IN THE MAGUS BY JOHN FOWLES

The deconstruction of classical myths in postmodern literature has received a lot of attention, especially in terms of how these ancient narratives are reinvented to reflect modern existential and psychological issues. Despite substantial research on myth reinterpretation in postmodern works, there is still a void in the literature concerning the specific tactics and consequences of myth deconstruction in John Fowles’s The Magus. This paper seeks to fill the gap by looking at how Fowles deconstructs three fundamental myths – the Magus myth, the Labyrinth, and the story of Orpheus and Eurydice – to create a complicated personal narrative for the protagonist, Nicholas Urfe. Through a critical reading of these myths, the analysis concludes that Fowles deconstructs traditional mythological forms to reflect the fractured and elusive nature of identity in the postmodern era. In doing so, Fowles not only criticizes the stability of myth but also depicts the protagonist’s journey for self-discovery in a world devoid of definitive truths. The paper contributes to a deeper understanding of how postmodern literature transforms ancient myths to examine postmodern human experiences, eventually implying that self-discovery is a personal, complex, and dynamic journey rather than a fixed destination.