Lima Barreto contra aGrécia

This paper seeks to analyse the way in which Lima Barreto engages with the idea of Greece. On the one hand, there is a direct critique of the ways in which the tradition of Greek Antiquity is presented as a model to be followed, including in it the supposedly Greek whiteness. On the other hand, there is a creative use of this tradition. This use is exemplified by the image of the tunic of Nessus in Recordações do Escrivão Isaías Caminha, and by the figures of Socrates and Plato in Vida e Morte de M.J. Gonzaga de Sá. Greece appears not as mere decoration, but as a device for problematizing both its hegemonic use and the very world that surrounds Lima Barreto.

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Publication Details

Journal
Antares letras e humanidades
Published
2026-11-04
DOI
https://doi.org/10.18226/19844921.v18.n40.09
Primary Topic
Literature, Culture, and Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

Lima Barreto contra aGrécia

Erick Araujo
Antares letras e humanidades
Literature, Culture, and Criticism
article

Lima Barreto contra aGrécia

Erick Araujo
article en

Abstract

This paper seeks to analyse the way in which Lima Barreto engages with the idea of Greece. On the one hand, there is a direct critique of the ways in which the tradition of Greek Antiquity is presented as a model to be followed, including in it the supposedly Greek whiteness. On the other hand, there is a creative use of this tradition. This use is exemplified by the image of the tunic of Nessus in Recordações do Escrivão Isaías Caminha, and by the figures of Socrates and Plato in Vida e Morte de M.J. Gonzaga de Sá. Greece appears not as mere decoration, but as a device for problematizing both its hegemonic use and the very world that surrounds Lima Barreto.

Antares letras e humanidadesVol. 18(40)
Universidade Federal do Rio de Janeiro (BR)
Openalex Percentile: Top 3%
Literature, Culture, and Criticism
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