Andreas Labba: The Pathway of a Cultural Broker, or Trickster Writes Back

Abstract Andreas Labba (1907–1970) was, during the 1930s, 1940s and 1950s, one of the Sámi most well-known to the general Swedish public, often appearing in mass media and fraternizing with royalty, politicians and film stars. From a position as a humorous and exotic entertainer, he gradually took on speaking out for Sámi rights and environmental consciousness. In 1969 his novel Anta , drawing on personal memories and traditional storytelling, was published and immediately hailed as a literary success, giving further public attention to Sámi perspectives on topical questions. In this article we analyse his path as a cultural broker and Sámi political activist in a tripartite study in which we reconstruct his road to national attention by way of mass-media contacts, analyse the more intimate personal expressions in his song lyrics, and analyse his political public writings and actions up to his death in 1970.

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Publication Details

Journal
Fabula
Published
2026-11-03
DOI
https://doi.org/10.1515/fabula-2026-0019
Primary Topic
Indigenous Cultures and History
Type
article
Field-Weighted Citation Impact
0.00
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article

Andreas Labba: The Pathway of a Cultural Broker, or Trickster Writes Back

Alf Arvidsson, Alf Arvidsson
Fabula
Indigenous Cultures and History
article

Andreas Labba: The Pathway of a Cultural Broker, or Trickster Writes Back

Alf Arvidsson, Alf Arvidsson
article en

Abstract

Abstract Andreas Labba (1907–1970) was, during the 1930s, 1940s and 1950s, one of the Sámi most well-known to the general Swedish public, often appearing in mass media and fraternizing with royalty, politicians and film stars. From a position as a humorous and exotic entertainer, he gradually took on speaking out for Sámi rights and environmental consciousness. In 1969 his novel Anta , drawing on personal memories and traditional storytelling, was published and immediately hailed as a literary success, giving further public attention to Sámi perspectives on topical questions. In this article we analyse his path as a cultural broker and Sámi political activist in a tripartite study in which we reconstruct his road to national attention by way of mass-media contacts, analyse the more intimate personal expressions in his song lyrics, and analyse his political public writings and actions up to his death in 1970.

FabulaVol. 67(3-4)
Umeå University (SE)
Openalex Percentile: Top 4%
Indigenous Cultures and History
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