Multimodal Violin Technique Recognition with Audio and Skeleton Features

Automatic analysis of violin performance can support music education by helping students and teachers identify playing techniques from ordinary practice videos. This paper focuses on violin technique recognition rather than full automated grading. A simple multimodal framework is used to extract audio descriptors from the soundtrack and skeleton-motion descriptors from video frames, then combine the two modalities for single-label technique classification. The current study considers six dominant technique categories: pizzicato, stopped bowing, plain playing, vibrato, double stops, and spiccato. Experiments on 147 labeled clips show that multimodal fusion achieves 96.60% accuracy and 96.43% macro-F1 under stratified clip-level three-fold cross-validation. A source-video-grouped audit gives 95.92% accuracy and 96.08% macro-F1. The results provide preliminary evidence that audio and skeleton cues are complementary for violin technique recognition.

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Publication Details

Journal
Frontiers in Computing and Intelligent Systems
Published
2026-11-03
DOI
https://doi.org/10.54097/2y6nmp35
Primary Topic
Music and Audio Processing
Type
article
Field-Weighted Citation Impact
0.00
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article

Multimodal Violin Technique Recognition with Audio and Skeleton Features

Zihang Cao
Frontiers in Computing and Intelligent Systems
Music and Audio Processing
article

Multimodal Violin Technique Recognition with Audio and Skeleton Features

Zihang Cao
article en

Abstract

Automatic analysis of violin performance can support music education by helping students and teachers identify playing techniques from ordinary practice videos. This paper focuses on violin technique recognition rather than full automated grading. A simple multimodal framework is used to extract audio descriptors from the soundtrack and skeleton-motion descriptors from video frames, then combine the two modalities for single-label technique classification. The current study considers six dominant technique categories: pizzicato, stopped bowing, plain playing, vibrato, double stops, and spiccato. Experiments on 147 labeled clips show that multimodal fusion achieves 96.60% accuracy and 96.43% macro-F1 under stratified clip-level three-fold cross-validation. A source-video-grouped audit gives 95.92% accuracy and 96.08% macro-F1. The results provide preliminary evidence that audio and skeleton cues are complementary for violin technique recognition.

Frontiers in Computing and Intelligent SystemsVol. 18(2)
Guangdong University of Technology (CN)
Openalex Percentile: Top 16%
Music and Audio Processing
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