CHARACTER ANONYMITY IN THE DIALOGI OF SULPICIUS SEVERUS

Abstract In approximately 403 c.e. Sulpicius Severus, a Gallo-Roman litterateur, composed his Dialogi , following on from his hagiographic tour de force, the Vita sancti Martini. Anonymous characters feature throughout the three books. This article argues that the dialogue genre is ideally positioned to interrogate the dynamics of character anonymity. Using Sulpicius’ Dialogi as its focus, the article explores three case studies: Gallus ‘The Gaul’, the Empress Arriana/Justina and Rufinus of Aquileia. The anonymity of these characters assists Sulpicius in his assertion of Martin’s pre-eminent standing among Christian holy men, while enabling specific narrative functions to emerge.

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Publication Details

Journal
The Classical Quarterly
Published
2026-11-04
DOI
https://doi.org/10.1017/s000983882610192x
Primary Topic
Classical Antiquity Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

CHARACTER ANONYMITY IN THE DIALOGI OF SULPICIUS SEVERUS

Michael Hanaghan
The Classical Quarterly
Classical Antiquity Studies
article

CHARACTER ANONYMITY IN THE DIALOGI OF SULPICIUS SEVERUS

Michael Hanaghan
article en

Abstract

Abstract In approximately 403 c.e. Sulpicius Severus, a Gallo-Roman litterateur, composed his Dialogi , following on from his hagiographic tour de force, the Vita sancti Martini. Anonymous characters feature throughout the three books. This article argues that the dialogue genre is ideally positioned to interrogate the dynamics of character anonymity. Using Sulpicius’ Dialogi as its focus, the article explores three case studies: Gallus ‘The Gaul’, the Empress Arriana/Justina and Rufinus of Aquileia. The anonymity of these characters assists Sulpicius in his assertion of Martin’s pre-eminent standing among Christian holy men, while enabling specific narrative functions to emerge.

The Classical Quarterly
Australian Catholic University (AU)
Openalex Percentile: Top 4%
Classical Antiquity Studies
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