When Technology Meets Culture: Digital Co-Production and Public Value Creation

Digital technologies are widely assumed to democratize citizen participation, yet their actual effects on co-production remain theoretically underspecified. This study examines how digital technologies shape co-production through a qualitative analysis of Taiwan’s Street Doctor Improvement Program—a national-level digital co-production initiative for pedestrian safety. The findings challenge prevailing assumptions in the digital governance literature and lead to three theoretical modifications. First, digital platforms exhibit a dual nature—empowering citizens through lowered participation barriers while enabling governmental control through agenda-setting and data ownership. Second, effective digital co-production depends on dynamic institutional work; Taiwan’s full government funding mechanism and citizen voting system demonstrate how policy actors innovate beyond existing institutional constraints. Third, public value creation proves culturally contextualized rather than universal; participation took the form of organized platform appropriation, as neighborhood representatives and other organized actors mobilized and contested it in ways that challenge individual-centered accounts of digital co-production. By integrating co-production theory, public service ecosystem perspectives, and institutional work concepts, this study advances digital governance scholarship beyond single-level analyses toward a multi-actor, multi-level framework. The findings offer practical guidance for designing culturally sensitive digital governance and inform the debate over whether digital participation creates genuine public value or merely symbolic inclusion.

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Publication Details

Journal
Public Performance & Management Review
Published
2026-11-04
DOI
https://doi.org/10.1080/15309576.2026.2756919
Primary Topic
E-Government and Public Services
Type
article
Field-Weighted Citation Impact
0.00
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article

When Technology Meets Culture: Digital Co-Production and Public Value Creation

Huan-Sheng Lin
Public Performance & Management Review
E-Government and Public Services
article

When Technology Meets Culture: Digital Co-Production and Public Value Creation

Huan-Sheng Lin
article en

Abstract

Digital technologies are widely assumed to democratize citizen participation, yet their actual effects on co-production remain theoretically underspecified. This study examines how digital technologies shape co-production through a qualitative analysis of Taiwan’s Street Doctor Improvement Program—a national-level digital co-production initiative for pedestrian safety. The findings challenge prevailing assumptions in the digital governance literature and lead to three theoretical modifications. First, digital platforms exhibit a dual nature—empowering citizens through lowered participation barriers while enabling governmental control through agenda-setting and data ownership. Second, effective digital co-production depends on dynamic institutional work; Taiwan’s full government funding mechanism and citizen voting system demonstrate how policy actors innovate beyond existing institutional constraints. Third, public value creation proves culturally contextualized rather than universal; participation took the form of organized platform appropriation, as neighborhood representatives and other organized actors mobilized and contested it in ways that challenge individual-centered accounts of digital co-production. By integrating co-production theory, public service ecosystem perspectives, and institutional work concepts, this study advances digital governance scholarship beyond single-level analyses toward a multi-actor, multi-level framework. The findings offer practical guidance for designing culturally sensitive digital governance and inform the debate over whether digital participation creates genuine public value or merely symbolic inclusion.

Public Performance & Management Review
National Chung Cheng University (TW)
Openalex Percentile: Top 6%
E-Government and Public Services
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