THE PHILOSOPHICAL AND DRAMATURGICAL FOUNDATIONS OF INDONESIAN TRADITIONAL "WAYANG" THEATER

This article examines the "Wayang" theater, which is considered one of the oldest and most complex performing arts in traditional Indonesian culture. It analyzes the origins, philosophical concepts, and unique dramaturgical structure of shadow theater (wayang kulit), wooden puppet theater (wayang golek), and human-performed theater (wayang wong). Furthermore, the study explores the symbolic role of the lead performer — the dalang — within theater aesthetics and cosmological worldviews, as well as the dramatic and emotional impact of Gamelan musical accompaniment.

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Publication Details

Journal
HSR (London)
Published
2026-11-02
Primary Topic
Theatre and Performance Studies
Type
article
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article

THE PHILOSOPHICAL AND DRAMATURGICAL FOUNDATIONS OF INDONESIAN TRADITIONAL "WAYANG" THEATER

Saydullayeva Azizabonu Ne'matjon qizi
HSR (London)
Theatre and Performance Studies
article

THE PHILOSOPHICAL AND DRAMATURGICAL FOUNDATIONS OF INDONESIAN TRADITIONAL "WAYANG" THEATER

Saydullayeva Azizabonu Ne'matjon qizi
article en

Abstract

This article examines the "Wayang" theater, which is considered one of the oldest and most complex performing arts in traditional Indonesian culture. It analyzes the origins, philosophical concepts, and unique dramaturgical structure of shadow theater (wayang kulit), wooden puppet theater (wayang golek), and human-performed theater (wayang wong). Furthermore, the study explores the symbolic role of the lead performer — the dalang — within theater aesthetics and cosmological worldviews, as well as the dramatic and emotional impact of Gamelan musical accompaniment.

HSR (London)
Openalex Percentile: Top 2%
Theatre and Performance Studies
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THE PHILOSOPHICAL AND DRAMATURGICAL FOUNDATIONS OF INDONESIAN TRADITIONAL "WAYANG" THEATER — Saydullayeva Azizabonu Ne'matjon qizi · HSR (London) (2026) | TGRS Research Map | TGRS