UNEQUAL METER AS A BIOLOGICAL, THERAPEUTIC, AND DRAMATIC DRIVER IN THE OPERA "TSAR SAMUIL" BY KIRIL MAKEDONSKI

This paper explores the role of asymmetric meter (7/8, 9/8, 11/8) in Kiril Makedonski’s opera “Tsar Samuil”, where rhythm functions as a dramatic and biological. Analysis shows that asymmetric rhythms activate multiple brain regions, creating cognitive alertness and emotional synchronization. Practical models illustrate the use of rhythm for fostering attention and motor coordination in children with special needs.

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Publication Details

Journal
Journal of Educational Sciences Theory and Practice
Published
2026-11-02
DOI
https://doi.org/10.46763/jespt2621143t
Primary Topic
Musicology and Musical Analysis
Type
article
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article

UNEQUAL METER AS A BIOLOGICAL, THERAPEUTIC, AND DRAMATIC DRIVER IN THE OPERA "TSAR SAMUIL" BY KIRIL MAKEDONSKI

Tomislav Tanevski
Journal of Educational Sciences Theory and Practice
Musicology and Musical Analysis
article

UNEQUAL METER AS A BIOLOGICAL, THERAPEUTIC, AND DRAMATIC DRIVER IN THE OPERA "TSAR SAMUIL" BY KIRIL MAKEDONSKI

Tomislav Tanevski
article en

Abstract

This paper explores the role of asymmetric meter (7/8, 9/8, 11/8) in Kiril Makedonski’s opera “Tsar Samuil”, where rhythm functions as a dramatic and biological. Analysis shows that asymmetric rhythms activate multiple brain regions, creating cognitive alertness and emotional synchronization. Practical models illustrate the use of rhythm for fostering attention and motor coordination in children with special needs.

Journal of Educational Sciences Theory and PracticeVol. 21(1)
Goce Delcev University (MK)
Openalex Percentile: Top 2%
Musicology and Musical Analysis
DOIOpen Access PDFOpenAlex
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UNEQUAL METER AS A BIOLOGICAL, THERAPEUTIC, AND DRAMATIC DRIVER IN THE OPERA "TSAR SAMUIL" BY KIRIL MAKEDONSKI — Tomislav Tanevski · Journal of Educational Sciences Theory and Practice (2026) | TGRS Research Map | TGRS