A philosophical inquiry into the yantra, mantra and dhāraṇā complex

Question: Yantra, mantra and dhāraṇā belong to distinct but overlapping fields of Tantric and yogic practice, and their relations vary across texts. This article asks what a philosophical reading can clarify when visual form, sonic articulation and sustained attention are considered together, and where a mathematical vocabulary of closure, direction and completion stops being adequate. Sources and method: The inquiry reads, in Sanskrit with translation, the passages on which its argument rests: Vijñānabhairava 24, 38 and 39, Yogasūtra 3.1, Pratyabhijñāhṛdaya 1 and 10, Īśvarapratyabhijñākārikā 1.5.11, Spandakārikā 1.1 and the first verse of the Saundaryalaharī. For Śrīvidyā yantra practice and for mantra theory it relies on established scholarship. Each step separates what a text says, how it is best understood, and what the author proposes. Argument: Yantra may be read as foregrounding visual organisation, mantra temporal articulation and dhāraṇā sustained attention, but each turns out to carry both closure-like and direction-like aspects. The reading yields three distinctions: place and path in the yantra, cycle and terminus in mantra, locus and threshold in dhāraṇā. A geometric result adds a fourth observation. When an angle stands with its vertex on a circle, the circle ends its arms and supplies the closing chord, the jyā of Indian mathematics; when the same circle stands inside the same angle, the angle places the circle but nothing ends the arms. Yantras such as the Śrīcakra and the Kālī yantra consistently draw the first arrangement. Reflexivity, central to vimarśa, lies outside what the vocabulary can express. Contribution and limits: Closure, direction and completion are contemporary analytical terms, not translations of Sanskrit concepts. The article does not claim a historically unified triad, doctrinal identity or any physiological mechanism. Its contribution is an interpretive reconstruction, four distinctions drawn from it, and an account of where the vocabulary fails.

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Publication Details

Journal
International Journal of Sanskrit Research
Published
2026-11-01
DOI
https://doi.org/10.22271/23947519.2026.v12.i6a.3391
Primary Topic
Indian and Buddhist Studies
Type
article
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article

A philosophical inquiry into the yantra, mantra and dhāraṇā complex

Swapan Samanta
International Journal of Sanskrit Research
Indian and Buddhist Studies
article

A philosophical inquiry into the yantra, mantra and dhāraṇā complex

Swapan Samanta
article en

Abstract

Question: Yantra, mantra and dhāraṇā belong to distinct but overlapping fields of Tantric and yogic practice, and their relations vary across texts. This article asks what a philosophical reading can clarify when visual form, sonic articulation and sustained attention are considered together, and where a mathematical vocabulary of closure, direction and completion stops being adequate. Sources and method: The inquiry reads, in Sanskrit with translation, the passages on which its argument rests: Vijñānabhairava 24, 38 and 39, Yogasūtra 3.1, Pratyabhijñāhṛdaya 1 and 10, Īśvarapratyabhijñākārikā 1.5.11, Spandakārikā 1.1 and the first verse of the Saundaryalaharī. For Śrīvidyā yantra practice and for mantra theory it relies on established scholarship. Each step separates what a text says, how it is best understood, and what the author proposes. Argument: Yantra may be read as foregrounding visual organisation, mantra temporal articulation and dhāraṇā sustained attention, but each turns out to carry both closure-like and direction-like aspects. The reading yields three distinctions: place and path in the yantra, cycle and terminus in mantra, locus and threshold in dhāraṇā. A geometric result adds a fourth observation. When an angle stands with its vertex on a circle, the circle ends its arms and supplies the closing chord, the jyā of Indian mathematics; when the same circle stands inside the same angle, the angle places the circle but nothing ends the arms. Yantras such as the Śrīcakra and the Kālī yantra consistently draw the first arrangement. Reflexivity, central to vimarśa, lies outside what the vocabulary can express. Contribution and limits: Closure, direction and completion are contemporary analytical terms, not translations of Sanskrit concepts. The article does not claim a historically unified triad, doctrinal identity or any physiological mechanism. Its contribution is an interpretive reconstruction, four distinctions drawn from it, and an account of where the vocabulary fails.

International Journal of Sanskrit ResearchVol. 12(6)
Openalex Percentile: Top 1%
Indian and Buddhist Studies
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