Crafting lines

This article explores the significance of traditional Romani crafts, specifically wirework, as a vital component of Romani cultural heritage in Norway. It examines how these traditional practices, in which intangible cultural threads are interwoven with material skills, are transmitted and maintained, as well as how they find new meaning in contemporary design. The Guttormsgaard Archive serves as the primary research site—a space where products function as carriers of culture—and hosts a Romani wire workshop led by the musician and craftsman Elias Akselsen. Together, these elements provide a means of observing how the act of crafting lines, both literal and metaphorical, serves to preserve identity and foster an in-depth understanding of heritage. Through a qualitative case study methodology, including a workshop, interviews and participatory observations, combined with concepts of aesthetics and embodied consciousness, the research examines how material and narrative lines contribute to the contemporary role of craft in cultural preservation, education and societal comprehension.

Authors

Institutions

Publication Details

Journal
FormAkademisk - forskningstidsskrift for design og designdidaktikk
Published
2026-11-02
DOI
https://doi.org/10.7577/formakademisk.6349
Primary Topic
Crafts, Textile, and Design
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Crafting lines

Astrid Maria Heimer, Haizea Pérez Machin
FormAkademisk - forskningstidsskrift for design og designdidaktikk
Crafts, Textile, and Design
article

Crafting lines

Astrid Maria Heimer, Haizea Pérez Machin
article en

Abstract

This article explores the significance of traditional Romani crafts, specifically wirework, as a vital component of Romani cultural heritage in Norway. It examines how these traditional practices, in which intangible cultural threads are interwoven with material skills, are transmitted and maintained, as well as how they find new meaning in contemporary design. The Guttormsgaard Archive serves as the primary research site—a space where products function as carriers of culture—and hosts a Romani wire workshop led by the musician and craftsman Elias Akselsen. Together, these elements provide a means of observing how the act of crafting lines, both literal and metaphorical, serves to preserve identity and foster an in-depth understanding of heritage. Through a qualitative case study methodology, including a workshop, interviews and participatory observations, combined with concepts of aesthetics and embodied consciousness, the research examines how material and narrative lines contribute to the contemporary role of craft in cultural preservation, education and societal comprehension.

FormAkademisk - forskningstidsskrift for design og designdidaktikkVol. 19(2)
OsloMet – Oslo Metropolitan University (NO)
Openalex Percentile: Top 3%
Crafts, Textile, and Design
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Laika access coming soon