The Musical Model of the Universe and Quantum Nonlocality: A Bridge Between Ontology and Experiment

This note establishes a connection between the ontological framework of the "Musical Model of the Universe" and the experimental results awarded the 2022 Nobel Prize in Physics. The aim of this work is to demonstrate that the proposed language for describing the world (a network of relations, the role of the observer, a unified logarithmic scale) does not contradict the mainstream development of modern physics, but rather offers a philosophical context for interpreting its latest discoveries.

Authors

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-11-02
DOI
https://doi.org/10.5281/zenodo.23890595
Primary Topic
Quantum Mechanics and Applications
Type
preprint
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preprint

The Musical Model of the Universe and Quantum Nonlocality: A Bridge Between Ontology and Experiment

Elena Bozhenko
3 links
Zenodo (CERN European Organization for Nuclear Research)
Quantum Mechanics and Applications
preprint

The Musical Model of the Universe and Quantum Nonlocality: A Bridge Between Ontology and Experiment

Elena Bozhenko
preprint en

Abstract

This note establishes a connection between the ontological framework of the "Musical Model of the Universe" and the experimental results awarded the 2022 Nobel Prize in Physics. The aim of this work is to demonstrate that the proposed language for describing the world (a network of relations, the role of the observer, a unified logarithmic scale) does not contradict the mainstream development of modern physics, but rather offers a philosophical context for interpreting its latest discoveries.

Zenodo (CERN European Organization for Nuclear Research)
Quantum Mechanics and Applications
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The Musical Model of the Universe and Quantum Nonlocality: A Bridge Between Ontology and Experiment — Elena Bozhenko · Zenodo (CERN European Organization for Nuclear Research) (2026) | TGRS Research Map | TGRS