Reconstruction of Akershus’ rose window

Emanuel Vigeland was a Norwegian artist who created and realized the rose window in 1919/20 for the fortification Akershus in Oslo, becoming the representative place for the new Norwegian dynasty. He was self-taught glass painter and studied medieval stained-glass in France as well as lightning of sacred places down to Italy and was heavily influenced by the British Arts and Crafts Movement. In his work he focused on darkness and created thereby light. In 1943, the DS Selma in service of the SS, exploded in the Oslo harbor. The explosion destroyed the rose window. The few remaining panels were conserved, restored, and reinstalled in 2001. 2 years later, the artists’ original sketches were found by chance, as well as fragments of the shattered panels. In addition to 2 historical photos, a basis for the reconstruction of the missing fields was given and a pluridisciplinary and meticulous journey began recreating the rose window in 2022.

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Publication Details

Journal
FormAkademisk - forskningstidsskrift for design og designdidaktikk
Published
2026-11-02
DOI
https://doi.org/10.7577/formakademisk.6343
Primary Topic
Architecture and Art History Studies
Type
article
Field-Weighted Citation Impact
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article

Reconstruction of Akershus’ rose window

Kjartan Hauglid, Christa Heidrich
FormAkademisk - forskningstidsskrift for design og designdidaktikk
Architecture and Art History Studies
article

Reconstruction of Akershus’ rose window

Kjartan Hauglid, Christa Heidrich
article en

Abstract

Emanuel Vigeland was a Norwegian artist who created and realized the rose window in 1919/20 for the fortification Akershus in Oslo, becoming the representative place for the new Norwegian dynasty. He was self-taught glass painter and studied medieval stained-glass in France as well as lightning of sacred places down to Italy and was heavily influenced by the British Arts and Crafts Movement. In his work he focused on darkness and created thereby light. In 1943, the DS Selma in service of the SS, exploded in the Oslo harbor. The explosion destroyed the rose window. The few remaining panels were conserved, restored, and reinstalled in 2001. 2 years later, the artists’ original sketches were found by chance, as well as fragments of the shattered panels. In addition to 2 historical photos, a basis for the reconstruction of the missing fields was given and a pluridisciplinary and meticulous journey began recreating the rose window in 2022.

FormAkademisk - forskningstidsskrift for design og designdidaktikkVol. 19(2)
Norwegian Institute for Cultural Heritage Research (NO)
Openalex Percentile: Top 3%
Architecture and Art History Studies
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