Schrödinger's Art

Schrödinger’s Art: The Closed-Box Experiment in the Age of AI is a conceptual art experiment by Elyse Meagan Estes, conducted on November 1, 2026, as part of the mixed-media series Page XLVII: The Next Generation. The project documents the creation of four physical artworks, their photographic documentation, and their subsequent reinterpretation through AI-assisted gallery imagery. As the physical materials began exhibiting structural instability during drying, the artist transformed an unexpected material limitation into an exploration of physical existence, digital continuation, and observer uncertainty. Drawing metaphorically from Schrödinger’s cat thought experiment, the project examines the distinction between an artwork’s actual physical condition and the information available to an external observer. The experiment does not propose quantum superposition or establish new physical laws. Instead, it investigates how artistic representations can persist independently of their physical origins and how deliberately withholding an outcome can become part of a conceptual artwork. The final condition of the four physical works is intentionally excluded from the published record. The box remains closed. Only eight witnesses will see how the artwork dries.

Authors

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-11-01
DOI
https://doi.org/10.5281/zenodo.23865197
Primary Topic
Art, Technology, and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Schrödinger's Art

Elyse Meagan Estes
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Zenodo (CERN European Organization for Nuclear Research)
Art, Technology, and Culture
article

Schrödinger's Art

Elyse Meagan Estes
article en

Abstract

Schrödinger’s Art: The Closed-Box Experiment in the Age of AI is a conceptual art experiment by Elyse Meagan Estes, conducted on November 1, 2026, as part of the mixed-media series Page XLVII: The Next Generation. The project documents the creation of four physical artworks, their photographic documentation, and their subsequent reinterpretation through AI-assisted gallery imagery. As the physical materials began exhibiting structural instability during drying, the artist transformed an unexpected material limitation into an exploration of physical existence, digital continuation, and observer uncertainty. Drawing metaphorically from Schrödinger’s cat thought experiment, the project examines the distinction between an artwork’s actual physical condition and the information available to an external observer. The experiment does not propose quantum superposition or establish new physical laws. Instead, it investigates how artistic representations can persist independently of their physical origins and how deliberately withholding an outcome can become part of a conceptual artwork. The final condition of the four physical works is intentionally excluded from the published record. The box remains closed. Only eight witnesses will see how the artwork dries.

Zenodo (CERN European Organization for Nuclear Research)
Openalex Percentile: Top 2%
Art, Technology, and Culture
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