Narsisme yang Berkuasa dalam Representasi Relasi Kuasa Pada Film “The Housemaid” (2025)

This study analyzes how Narcissistic Personality Disorder (NPD) power relations are represented through the character Andrew in the film “The Housemaid” (2025). Employing a qualitative approach based on John Fiske’s semiotic analysis, the research examines 23 scenes across three levels, reality, representation, and ideology, focusing on Andrew's marital relationship with Nina and his employer-domestic worker dynamics with Millie. The findings reveal that at the reality level, Andrew's NPD power relations manifest through repetitive patterns of love bombing, gaslighting, verbal manipulation, and arbitrary punishment. At the representation level, his dominance is constructed through cinematographic techniques, specifically low-angle shots of Andrew and high-angle shots of Nina and Millie. Ideologically, the film reproduces and deconstructs patriarchy, social class, and gender-based violence, which are ultimately challenged by the women's resistance. In conclusion, the film systematically exposes normalized psychological abuse, highlighting the crucial role of media literacy.

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Publication Details

Journal
Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi)
Published
2026-11-01
DOI
https://doi.org/10.35870/jtik.v11i1.7515
Primary Topic
Semiotics and Representation Studies
Type
article
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article

Narsisme yang Berkuasa dalam Representasi Relasi Kuasa Pada Film “The Housemaid” (2025)

Farikha Rachmawati, Tafannya Syawaluna Faradibah
2 links
Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi)
Semiotics and Representation Studies
article

Narsisme yang Berkuasa dalam Representasi Relasi Kuasa Pada Film “The Housemaid” (2025)

Farikha Rachmawati, Tafannya Syawaluna Faradibah
article en

Abstract

This study analyzes how Narcissistic Personality Disorder (NPD) power relations are represented through the character Andrew in the film “The Housemaid” (2025). Employing a qualitative approach based on John Fiske’s semiotic analysis, the research examines 23 scenes across three levels, reality, representation, and ideology, focusing on Andrew's marital relationship with Nina and his employer-domestic worker dynamics with Millie. The findings reveal that at the reality level, Andrew's NPD power relations manifest through repetitive patterns of love bombing, gaslighting, verbal manipulation, and arbitrary punishment. At the representation level, his dominance is constructed through cinematographic techniques, specifically low-angle shots of Andrew and high-angle shots of Nina and Millie. Ideologically, the film reproduces and deconstructs patriarchy, social class, and gender-based violence, which are ultimately challenged by the women's resistance. In conclusion, the film systematically exposes normalized psychological abuse, highlighting the crucial role of media literacy.

Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi)Vol. 11(1)
University of Pembangunan Nasional Veteran Jawa Timur (ID), Universitas Pembangunan Nasional Veteran Yogyakarta (ID)
Openalex Percentile: Top 2%
Semiotics and Representation Studies
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Narsisme yang Berkuasa dalam Representasi Relasi Kuasa Pada Film “The Housemaid” (2025) — Farikha Rachmawati, Tafannya Syawaluna Faradibah · Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi) (2026) | TGRS Research Map | TGRS