Ambient light VNIR hyperspectral imaging for pigment analysis in Martu rock art

Abstract Pigments in open-air rock art are often in heavily deteriorated superimposition sequences, limiting visualisation using standard photographic approaches. Hyperspectral imaging (HSI) is emerging as a portable, non-invasive approach for in situ pigment analysis, but collection of spectral-spatial information typically relies on controlled illumination, which is challenging in remote settings. This study evaluates the performance of visible-near infrared (VNIR) HSI for pigment analysis in rock art under variable ambient illumination. HSI data were collected from a Martu rock art panel featuring faint red and white pigments over one day, and the effects of illumination variability and surface variegation were assessed through comparison with 3D modelling. Reflectance spectra provided broad mineralogical insights, while spectral decomposition consistently delineated pigment-related information across a range of illumination conditions. The findings support ambient light VNIR HSI as a practical, non-invasive method for pictographic rock art analysis, with recommendations for best practice data acquisition and analysis.

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Publication Details

Journal
npj Heritage Science
Published
2026-10-31
DOI
https://doi.org/10.1038/s40494-026-03089-z
Primary Topic
Cultural Heritage Materials Analysis
Type
article
Field-Weighted Citation Impact
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article

Ambient light VNIR hyperspectral imaging for pigment analysis in Martu rock art

Jo McDonald, Antonia E. Papasergio, Karen Thompson, Beth Jefferies et al.
npj Heritage Science
Cultural Heritage Materials Analysis
article

Ambient light VNIR hyperspectral imaging for pigment analysis in Martu rock art

Jo McDonald, Antonia E. Papasergio, Karen Thompson, Beth Jefferies, Gabriele Marini, Simon J. Mutch, Rachel Sarah Popelka-Filcoff, Louise Jefferies, Heather Samson, Matthew Long, Jessica Williams, Ralph Samson, Clive Samson, Lindsay Crusoe, Noreena Kadibil, Terrance Jack, Carole Williams, Elvisha Wongowol, Margie Samson, Gaberl Jefferies, Rebecca Jefferies, Anthony Ginger, Neville Taylor, Phillipa Charles
article en

Abstract

Abstract Pigments in open-air rock art are often in heavily deteriorated superimposition sequences, limiting visualisation using standard photographic approaches. Hyperspectral imaging (HSI) is emerging as a portable, non-invasive approach for in situ pigment analysis, but collection of spectral-spatial information typically relies on controlled illumination, which is challenging in remote settings. This study evaluates the performance of visible-near infrared (VNIR) HSI for pigment analysis in rock art under variable ambient illumination. HSI data were collected from a Martu rock art panel featuring faint red and white pigments over one day, and the effects of illumination variability and surface variegation were assessed through comparison with 3D modelling. Reflectance spectra provided broad mineralogical insights, while spectral decomposition consistently delineated pigment-related information across a range of illumination conditions. The findings support ambient light VNIR HSI as a practical, non-invasive method for pictographic rock art analysis, with recommendations for best practice data acquisition and analysis.

npj Heritage Science
The University of Melbourne (AU), The University of Western Australia (AU)
Openalex Percentile: Top 4%
Cultural Heritage Materials Analysis
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