Caste, Violence, and Resistance in Rural Tamil Nadu: A Research Study Vetrimaaran's Asuran (2019)

Abstract: Asuran, directed by Vetrimaaran and released in 2019, is a Tamil-language action drama adapted from Poomani's Sahitya Akademi Award-winning novel Vekkai (1982). The film narrates the story of Sivasamy, an ageing Dalit farmer, and his family's confrontation with an oppressive upper-caste landlord in rural Tamil Nadu, moving between a violent past and a fugitive present. This paper examines Asuran as a work of social-realist cinema that dramatizes caste-based land conflict, the ethics of retributive violence, and education as a pathway to structural liberation. Drawing on the film's critical reception, its literary source, and its place within a wider wave of anti-caste Tamil cinema, the paper argues that Asuran reframes the conventional revenge narrative as a political allegory of Dalit assertion rather than a simple story of personal vengeance.

Authors

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-10-31
DOI
https://doi.org/10.5281/zenodo.23831094
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Caste, Violence, and Resistance in Rural Tamil Nadu: A Research Study Vetrimaaran's Asuran (2019)

Ram Daulatrao Kakde, Suwarna jagannath kachare
Zenodo (CERN European Organization for Nuclear Research)
South Asian Cinema and Culture
article

Caste, Violence, and Resistance in Rural Tamil Nadu: A Research Study Vetrimaaran's Asuran (2019)

Ram Daulatrao Kakde, Suwarna jagannath kachare
article en

Abstract

Abstract: Asuran, directed by Vetrimaaran and released in 2019, is a Tamil-language action drama adapted from Poomani's Sahitya Akademi Award-winning novel Vekkai (1982). The film narrates the story of Sivasamy, an ageing Dalit farmer, and his family's confrontation with an oppressive upper-caste landlord in rural Tamil Nadu, moving between a violent past and a fugitive present. This paper examines Asuran as a work of social-realist cinema that dramatizes caste-based land conflict, the ethics of retributive violence, and education as a pathway to structural liberation. Drawing on the film's critical reception, its literary source, and its place within a wider wave of anti-caste Tamil cinema, the paper argues that Asuran reframes the conventional revenge narrative as a political allegory of Dalit assertion rather than a simple story of personal vengeance.

Zenodo (CERN European Organization for Nuclear Research)
Openalex Percentile: Top 1%
South Asian Cinema and Culture
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Laika access coming soon