Two Worlds, One Human Form: the Jōmon Venus of Japan and anthropomorphic ceramics from Cauca Medio, Colombia

An authentic group of pre-Columbian ceramics, probably from Risaralda, appears to rhyme with Japan's 5,000-year-old Jōmon Venus. The resemblance is real; a historical connection is not. This GLIAG essay shows how two distant societies independently turned clay and the human body into instruments of memory, identity and ritual, and why archaeological context determines what we can responsibly know. The Japanese comparator is identified securely: the 27 cm, 2.14 kg clay dogū known as the Jōmon Venus, recovered intact at the Tanabatake site in Chino, Nagano, and dated by the responsible museum to the Middle Jōmon, about 3000 BCE. The Colombian objects are, on their custodian's account, authentic, Colombian and probably from Risaralda, reportedly recovered by guaqueros; their context, ceramic phase and date are undocumented. The essay sets out a disciplined visual comparison across eight analytical axes, discusses the body as vessel, gender and fertility, convergence without contact, and guaquería as knowledge loss, and closes with a research programme for the Risaralda objects. Nothing in it demonstrates trans-Pacific contact; the strongest explanation is convergent figuration. Bilingual edition, English then Spanish. This Zenodo edition (Revision 2.1, 31 October 2026) reproduces the web edition first published on Petroleum & Energy Insights on 13 September 2026 (GLIAG-ESS-2026-038-CH REV 002), with an amendment register, full references, licence and citation. Figure 1 of the web edition (two source images) is not reproduced for rights reasons. The essay is not an appraisal, title opinion or authentication of any object.