Intersectional Feminism in Brit Bennett’s the Vanishing Half: Structural and Representational Dimensions

This study examines intersectional feminism in Brit Bennett’s The Vanishing Half by focusing on structural and representational intersectionality. Using Crenshaw’s intersectionality framework, the study applies directed qualitative content analysis to selected textual evidence concerning Stella Vignes, Desiree Vignes, and Jude Winston. The findings show that structural intersectionality is reflected in racialized access to employment, unequal labor relations, economic dependency, and gender-based violence. Representational intersectionality appears through colorism, beauty standards, expectations surrounding marriage, and cultural constructions of Black femininity. The experiences of the three characters demonstrate that race, gender, class, and skin color do not operate independently but interact in shaping material opportunities, vulnerability, and social value. Overall, the novel illustrates that inequality is produced through both social structures and cultural representations.

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Publication Details

Journal
Channing Journal of English Language Education and Literature
Published
2026-10-31
DOI
https://doi.org/10.30599/pqs3a884
Primary Topic
Feminist Theory and Gender Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Intersectional Feminism in Brit Bennett’s the Vanishing Half: Structural and Representational Dimensions

Ana Mariana, Hasna Nurain Mukhsin, Siti Abdullah
Channing Journal of English Language Education and Literature
Feminist Theory and Gender Studies
article

Intersectional Feminism in Brit Bennett’s the Vanishing Half: Structural and Representational Dimensions

Ana Mariana, Hasna Nurain Mukhsin, Siti Abdullah
article en

Abstract

This study examines intersectional feminism in Brit Bennett’s The Vanishing Half by focusing on structural and representational intersectionality. Using Crenshaw’s intersectionality framework, the study applies directed qualitative content analysis to selected textual evidence concerning Stella Vignes, Desiree Vignes, and Jude Winston. The findings show that structural intersectionality is reflected in racialized access to employment, unequal labor relations, economic dependency, and gender-based violence. Representational intersectionality appears through colorism, beauty standards, expectations surrounding marriage, and cultural constructions of Black femininity. The experiences of the three characters demonstrate that race, gender, class, and skin color do not operate independently but interact in shaping material opportunities, vulnerability, and social value. Overall, the novel illustrates that inequality is produced through both social structures and cultural representations.

Channing Journal of English Language Education and Literature
Universitas Muhammadiyah Gorontalo (ID)
Openalex Percentile: Top 6%
Feminist Theory and Gender Studies
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