OGAHIYNING FORSCHA NASHR ETILMAGAN MUXAMMASLARNING POETIK TAHLILI

The article analyzes three unpublished mukhammases written on two ghazals by Amiri (Amir Umarkhan) and one ghazal by Bedil. The composition of the works, the system of rhyme and radif, their themes and imagery are studied. The analysis shows that the mukhammases preserve the classical requirements of the takhmis genre, while the spirit of the original ghazals is continued in a new artistic interpretation.

Authors

Publication Details

Journal
Tamaddun nuri.
Published
2026-10-30
DOI
https://doi.org/10.69691/s2c0an31
Primary Topic
Turkish Literature and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

OGAHIYNING FORSCHA NASHR ETILMAGAN MUXAMMASLARNING POETIK TAHLILI

Gulchehra Mardonova
Tamaddun nuri.
Turkish Literature and Culture
article

OGAHIYNING FORSCHA NASHR ETILMAGAN MUXAMMASLARNING POETIK TAHLILI

Gulchehra Mardonova
article en

Abstract

The article analyzes three unpublished mukhammases written on two ghazals by Amiri (Amir Umarkhan) and one ghazal by Bedil. The composition of the works, the system of rhyme and radif, their themes and imagery are studied. The analysis shows that the mukhammases preserve the classical requirements of the takhmis genre, while the spirit of the original ghazals is continued in a new artistic interpretation.

Tamaddun nuri.Vol. 10(85 (II qism))
Openalex Percentile: Top 2%
Turkish Literature and Culture
DOIOpen Access PDFOpenAlex
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OGAHIYNING FORSCHA NASHR ETILMAGAN MUXAMMASLARNING POETIK TAHLILI — Gulchehra Mardonova · Tamaddun nuri. (2026) | TGRS Research Map | TGRS