LIUDVIKO RĖZOS PALIKIMO DAINUOJAMOJI TAUTOSAKA – DINAMIŠKAS KULTŪRINĖS ATMINTIES MODELIS // THE SUNG FOLKLORE OF LUDWIG RHESA’S LEGACY: A DYNAMIC MODEL OF CULTURAL MEMORY

The article examines the songs of Prussian Lithuanians collected by Ludwig Rhesa in the early 19th century, their publication and translation history, and practices of revival, applying theories of cultural memory and performativity. The editorial principles of editions and translations reveal the continuous adaptation of texts in different cultural contexts. Based on an analysis of audio and video recordings, publications, and the long-term activity of 11 folklore ensembles (1970–2025), three directions of Rhesa’s song interpretation are identified: historical-ethnographic, ethnomusicological, and mixed. Song performance is understood as a creative-performative process, in which interpreted texts acquire new meanings. This unique source of sung folklore is presented as a dynamic phenomenon of the cultural memory, combining continuity with constant change.

Authors

Institutions

Publication Details

Journal
Res Humanitariae
Published
2026-10-29
DOI
https://doi.org/10.15181/rh.v34i0.2837
Primary Topic
Folklore, Mythology, and Literature Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

LIUDVIKO RĖZOS PALIKIMO DAINUOJAMOJI TAUTOSAKA – DINAMIŠKAS KULTŪRINĖS ATMINTIES MODELIS // THE SUNG FOLKLORE OF LUDWIG RHESA’S LEGACY: A DYNAMIC MODEL OF CULTURAL MEMORY

Lina Petrošienė
1 links
Res Humanitariae
Folklore, Mythology, and Literature Studies
article

LIUDVIKO RĖZOS PALIKIMO DAINUOJAMOJI TAUTOSAKA – DINAMIŠKAS KULTŪRINĖS ATMINTIES MODELIS // THE SUNG FOLKLORE OF LUDWIG RHESA’S LEGACY: A DYNAMIC MODEL OF CULTURAL MEMORY

Lina Petrošienė
article en

Abstract

The article examines the songs of Prussian Lithuanians collected by Ludwig Rhesa in the early 19th century, their publication and translation history, and practices of revival, applying theories of cultural memory and performativity. The editorial principles of editions and translations reveal the continuous adaptation of texts in different cultural contexts. Based on an analysis of audio and video recordings, publications, and the long-term activity of 11 folklore ensembles (1970–2025), three directions of Rhesa’s song interpretation are identified: historical-ethnographic, ethnomusicological, and mixed. Song performance is understood as a creative-performative process, in which interpreted texts acquire new meanings. This unique source of sung folklore is presented as a dynamic phenomenon of the cultural memory, combining continuity with constant change.

Res HumanitariaeVol. 34(1)
Klaipėda University (LT)
Openalex Percentile: Top 2%
Folklore, Mythology, and Literature Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Laika access coming soon