Three gazes on Nora’s dancing body in A Doll’s House
Nora’s tarantella rehearsal in Act Two of A Doll’s House is generally agreed to mark the play’s dramatic climax, the one moment at which Ibsen puts her body at the center of the stage. Criticism ha...
Authors
- Yoon Mi Sohn (ORCID: https://orcid.org/0000-0002-6296-1224)
Institutions
- Yonsei University (KR)
Publication Details
- Journal
- The Explicator
- Published
- 2026-10-29
- DOI
- https://doi.org/10.1080/00144940.2026.2752438
- Primary Topic
- Theatre and Performance Studies
- Type
- article
- Field-Weighted Citation Impact
- 0.00