A Lasting Impression: Performance Memory Persists After a Single Musical Exposure

Despite the centrality of memory to music reading and performance, little is known about incidental long-term memory retention of music that is performed at sight. In this study, 19 undergraduate pianists sight-read a series of short, unfamiliar pieces, and then returned 1–3 weeks later to perform the same pieces, without opportunities to see or practise the music in the interim. Pitch, rhythm, and metre errors were all found to decrease in the second reading, with error counts dropping on average by 13% from Reading 1 to Reading 2, while error types and sizes tended to persist across readings. No significant differences were found between those who had a 1-, 2-, or 3-week gap between readings, suggesting that a single brief encounter with a score can have a long-term priming effect. These findings illustrate how robust musical memory can be and may have implications for our understanding of how motor and memory systems support long-term retention in skilled performance.

Authors

Institutions

Publication Details

Journal
Psychology of Music
Published
2026-10-29
DOI
https://doi.org/10.1177/03057356261478549
Primary Topic
Neuroscience and Music Perception
Type
article
Field-Weighted Citation Impact
0.00

Funders

Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

A Lasting Impression: Performance Memory Persists After a Single Musical Exposure

Ian R.M. Cross, Katya Ness, David Duncan
Psychology of Music
Neuroscience and Music Perception
article

A Lasting Impression: Performance Memory Persists After a Single Musical Exposure

Ian R.M. Cross, Katya Ness, David Duncan
article en

Abstract

Despite the centrality of memory to music reading and performance, little is known about incidental long-term memory retention of music that is performed at sight. In this study, 19 undergraduate pianists sight-read a series of short, unfamiliar pieces, and then returned 1–3 weeks later to perform the same pieces, without opportunities to see or practise the music in the interim. Pitch, rhythm, and metre errors were all found to decrease in the second reading, with error counts dropping on average by 13% from Reading 1 to Reading 2, while error types and sizes tended to persist across readings. No significant differences were found between those who had a 1-, 2-, or 3-week gap between readings, suggesting that a single brief encounter with a score can have a long-term priming effect. These findings illustrate how robust musical memory can be and may have implications for our understanding of how motor and memory systems support long-term retention in skilled performance.

Psychology of Music
University of Cambridge (GB)
Leverhulme Trust
Openalex Percentile: Top 14%
Neuroscience and Music Perception
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Laika access coming soon