Ungrievable Lives, Commodified Bodies: Trans Necropolitics and Ethics of Care in Anosh Irani’s The Parcel

Anosh Irani’s The Parcel (2016) explores the commodified lives of hijras, sex workers, and trafficked girls, revealing the oppressive social norms and political systems responsible for making Kamathipura a “death camp” and its inhabitants necropolitical subjects. Centering on Madhu and her heated relationship with a trafficked girl known as the “parcel,” the novel demonstrates how hijras in contemporary India are systematically subjected to conditions of “death-in-life” by state power and heteronormative societal structures. Drawing on Mbembe’s theory of necropolitics and Butler’s concept of ungrievable life, the study shows how Madhu is rendered “living dead” through bodily regulation, commodification, social exclusion, and urban development. Aizura’s insight into transnational economies of desire further sheds light on how hijra bodies are consumed and discarded within sexual economies. Moreover, the present article highlights the ambivalent forms of care expressed in hijra kinship and ritual as survival practices within necropolitical violence.

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Publication Details

Journal
South Asian Review
Published
2026-10-29
DOI
https://doi.org/10.1080/02759527.2026.2753874
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Ungrievable Lives, Commodified Bodies: Trans Necropolitics and Ethics of Care in Anosh Irani’s The Parcel

Kamal Barman, Nagendra Kumar
2 links
South Asian Review
Postcolonial and Cultural Literary Studies
article

Ungrievable Lives, Commodified Bodies: Trans Necropolitics and Ethics of Care in Anosh Irani’s The Parcel

Kamal Barman, Nagendra Kumar
article en

Abstract

Anosh Irani’s The Parcel (2016) explores the commodified lives of hijras, sex workers, and trafficked girls, revealing the oppressive social norms and political systems responsible for making Kamathipura a “death camp” and its inhabitants necropolitical subjects. Centering on Madhu and her heated relationship with a trafficked girl known as the “parcel,” the novel demonstrates how hijras in contemporary India are systematically subjected to conditions of “death-in-life” by state power and heteronormative societal structures. Drawing on Mbembe’s theory of necropolitics and Butler’s concept of ungrievable life, the study shows how Madhu is rendered “living dead” through bodily regulation, commodification, social exclusion, and urban development. Aizura’s insight into transnational economies of desire further sheds light on how hijra bodies are consumed and discarded within sexual economies. Moreover, the present article highlights the ambivalent forms of care expressed in hijra kinship and ritual as survival practices within necropolitical violence.

South Asian Review
Indian Institute of Technology Roorkee (IN)
Openalex Percentile: Top 2%
Postcolonial and Cultural Literary Studies
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