La inmersión en la memoria fragmentada. Una mirada a la madre en Mis manos. Las de mi madre (2019) de Adela Bravo

My hands. My Mother’s by Adela Bravo Sauras, artistic director of the architectural-theatrical collective NoFourthWall, is configured as an immersive theatrical device that takes as its point of departure the memory of the playwright’s deceased mother. This article aims to unpack and analyze the theatrical elements of mourning, remembrance, and healing. Throughout this experience, the spectator relinquishes their hegemonic position as a detached observer a guest within a home, a participant in a ritual and a visitor in a museum.

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Publication Details

Journal
Talía Revista de estudios teatrales
Published
2026-10-28
DOI
https://doi.org/10.5209/tret.104938
Primary Topic
Theatre and Performance Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

La inmersión en la memoria fragmentada. Una mirada a la madre en Mis manos. Las de mi madre (2019) de Adela Bravo

Marta Santiago Romero
Talía Revista de estudios teatrales
Theatre and Performance Studies
article

La inmersión en la memoria fragmentada. Una mirada a la madre en Mis manos. Las de mi madre (2019) de Adela Bravo

Marta Santiago Romero
article en

Abstract

My hands. My Mother’s by Adela Bravo Sauras, artistic director of the architectural-theatrical collective NoFourthWall, is configured as an immersive theatrical device that takes as its point of departure the memory of the playwright’s deceased mother. This article aims to unpack and analyze the theatrical elements of mourning, remembrance, and healing. Throughout this experience, the spectator relinquishes their hegemonic position as a detached observer a guest within a home, a participant in a ritual and a visitor in a museum.

Talía Revista de estudios teatralesVol. 8
Universidad de Alcalá (ES)
Openalex Percentile: Top 2%
Theatre and Performance Studies
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