Mapping Artistic Engagement with Quantum Technologies

Quantum technologies (QT) are increasingly being taken up in artistic practices, for example in the form of visual artworks or quantum computer music. However, more comprehensive empirical studies on the temporal development and the different forms of QT-related art are still lacking. Therefore, this study conducted a systematic mapping and classification of QT-related artworks. To this end, a medium-independent corpus was established, and the artworks were classified into four categories: QT-Inspired, QT-Sourced, Simulated QT, and QT-Generated. This classification was LLM-assisted and checked against human-coded reference data as well as through manual review of unclear cases. In total, 281 QT-related artworks from 2010 to August 2025 were identified. The corpus shows a substantial increase in QT-related artworks since 2019, with a considerable share attributed to only a few artists. The different forms of QT relations coexist, while an increasing use of active hardware-based and simulated processes in artistic practices can be documented, particularly since 2021. Although no clear development trajectories between these categories can be identified, the observed development coincides with advances in QT and their improved accessibility. Thus, this study provides an empirical basis for further analyzing the development of QT-related art, the possible emergence of a "quantum art scene," and the reciprocal relationships between art and quantum technologies.

Authors

Publication Details

Journal
arXiv (Cornell University)
Published
2026-10-27
DOI
https://doi.org/10.48550/arxiv.2610.37054
Primary Topic
Art, Technology, and Culture
Type
preprint
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preprint

Mapping Artistic Engagement with Quantum Technologies

Adrian Schmidt, Zeki Can Seskir, Oya Ok, Deniz Ipek Zeynioglu
arXiv (Cornell University)
Art, Technology, and Culture
preprint

Mapping Artistic Engagement with Quantum Technologies

Adrian Schmidt, Zeki Can Seskir, Oya Ok, Deniz Ipek Zeynioglu
preprint en

Abstract

Quantum technologies (QT) are increasingly being taken up in artistic practices, for example in the form of visual artworks or quantum computer music. However, more comprehensive empirical studies on the temporal development and the different forms of QT-related art are still lacking. Therefore, this study conducted a systematic mapping and classification of QT-related artworks. To this end, a medium-independent corpus was established, and the artworks were classified into four categories: QT-Inspired, QT-Sourced, Simulated QT, and QT-Generated. This classification was LLM-assisted and checked against human-coded reference data as well as through manual review of unclear cases. In total, 281 QT-related artworks from 2010 to August 2025 were identified. The corpus shows a substantial increase in QT-related artworks since 2019, with a considerable share attributed to only a few artists. The different forms of QT relations coexist, while an increasing use of active hardware-based and simulated processes in artistic practices can be documented, particularly since 2021. Although no clear development trajectories between these categories can be identified, the observed development coincides with advances in QT and their improved accessibility. Thus, this study provides an empirical basis for further analyzing the development of QT-related art, the possible emergence of a "quantum art scene," and the reciprocal relationships between art and quantum technologies.

arXiv (Cornell University)
Art, Technology, and Culture
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