The Cocorícamo of the Dominican Republic: Aesthetic Journeys between America and Europe through a Zoomorphic Mask

The Cocorícamo is a traditional character in Holy Week performances in San Juan de la Maguana (Dominican Republic), characterized by a mask made from the complete skull of a cow. Drawing on the Cocorícamo mask, this article proposes a comparative analysis of zoomorphic masks made from the complete skulls of bovines and equines in the Americas and Europe. Besides outlining the uncertain origins of the Cocorícamo mask, the study highlights aesthetic journeys spanning both sides of the Atlantic through a type of mask that has been documented—with local variations—in the Dominican Republic, Cuba, Jamaica, the Lesser Antilles, the British Isles, and the Iberian Peninsula between the nineteenth and twenty-first centuries.

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Publication Details

Journal
Martor The Museum of the Romanian Peasant Anthropology Review
Published
2026-10-27
DOI
https://doi.org/10.57225/martor.2026.31.04
Primary Topic
Arts and Performance Studies
Type
article
Field-Weighted Citation Impact
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article

The Cocorícamo of the Dominican Republic: Aesthetic Journeys between America and Europe through a Zoomorphic Mask

Emelin Quevedo-Márquez
1 links
Martor The Museum of the Romanian Peasant Anthropology Review
Arts and Performance Studies
article

The Cocorícamo of the Dominican Republic: Aesthetic Journeys between America and Europe through a Zoomorphic Mask

Emelin Quevedo-Márquez
article en

Abstract

The Cocorícamo is a traditional character in Holy Week performances in San Juan de la Maguana (Dominican Republic), characterized by a mask made from the complete skull of a cow. Drawing on the Cocorícamo mask, this article proposes a comparative analysis of zoomorphic masks made from the complete skulls of bovines and equines in the Americas and Europe. Besides outlining the uncertain origins of the Cocorícamo mask, the study highlights aesthetic journeys spanning both sides of the Atlantic through a type of mask that has been documented—with local variations—in the Dominican Republic, Cuba, Jamaica, the Lesser Antilles, the British Isles, and the Iberian Peninsula between the nineteenth and twenty-first centuries.

Martor The Museum of the Romanian Peasant Anthropology ReviewVol. 31
Universidad de Valladolid (ES)
Openalex Percentile: Top 2%
Arts and Performance Studies
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