Lockdown-scapes: Queer felt lifeworlds with art-based ethnography

This essay presents a collaboratively curated art-based ethnographic reflection of ‘lockdown-scapes’. The artworks shared depict the peripheralised lifeworlds of queerness and Brahminical patriarchal structures against the backdrop of the COVID-19 lockdown in select locations in India. We creatively mobilise temporal queer lifeworlds residing in marginalised but resilient geographies of the neighbourhood, prison, street and dairy farm. We highlight how art and dialogue can converge to create queer lifeworlds. Our collaborative dialogue across differential intergenerational precarities, dominant advantages and carceralities is situated within the messy boundaries of visual imaging and ethnographic methods. This essay interrupts the boundaries of what are considered respectable and normative methods of anthropological research. Our aim is to amplify creative processes of queer worldmaking that centre art and affect in everyday survival.

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Publication Details

Journal
Feminist Review
Published
2026-10-27
DOI
https://doi.org/10.1177/01417789261492724
Primary Topic
Gender and Feminist Studies
Type
article
Field-Weighted Citation Impact
0.00

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article

Lockdown-scapes: Queer felt lifeworlds with art-based ethnography

Dhiren Borisa, Niharika Banerjea, Prateek Draik
1 links
Feminist Review
Gender and Feminist Studies
article

Lockdown-scapes: Queer felt lifeworlds with art-based ethnography

Dhiren Borisa, Niharika Banerjea, Prateek Draik
article en

Abstract

This essay presents a collaboratively curated art-based ethnographic reflection of ‘lockdown-scapes’. The artworks shared depict the peripheralised lifeworlds of queerness and Brahminical patriarchal structures against the backdrop of the COVID-19 lockdown in select locations in India. We creatively mobilise temporal queer lifeworlds residing in marginalised but resilient geographies of the neighbourhood, prison, street and dairy farm. We highlight how art and dialogue can converge to create queer lifeworlds. Our collaborative dialogue across differential intergenerational precarities, dominant advantages and carceralities is situated within the messy boundaries of visual imaging and ethnographic methods. This essay interrupts the boundaries of what are considered respectable and normative methods of anthropological research. Our aim is to amplify creative processes of queer worldmaking that centre art and affect in everyday survival.

Feminist Review
O. P. Jindal Global University (IN), Oldham Council (GB), Global University (LB)
University of Leicester
Reduced inequalities
Openalex Percentile: Top 6%
Gender and Feminist Studies
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