Imagined pasts: photography, colonialism, and archives

This special section, with texts by six researchers, three of whom are also the volume’s editors, spans diverse geographical spaces – Portugal, Angola, São Tomé and Príncipe, Indonesia, and the Netherlands – and a long chronology from the mid-nineteenth century to the present. The authors employ diverse methodologies to examine the meanings and uses of photographic images and archives within the Portuguese and Dutch colonial contexts, across religion, medicine, state bureaucracy, independence wars, ethnology, and private and commercial uses. Most contributions focus on specific archival collections or on tracing photographic materials dispersed across different repositories. Together, they examine how photographic images are produced, circulated, and revisited, and how they shape intimate, historical, and political understandings of the colonial past. “Imagining” – the play between image and imagining that inspired our title – reminds us that the past is always approached from the present, even as the present itself becomes history.

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Publication Details

Journal
Culture Unbound Journal of Current Cultural Research
Published
2026-10-26
DOI
https://doi.org/10.3384/cu.4830
Primary Topic
Photographic and Visual Arts
Type
article
Field-Weighted Citation Impact
0.00
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article

Imagined pasts: photography, colonialism, and archives

Filipa Lowndes Vicente, Inês Ponte, Maria José Lobo Antunes
Culture Unbound Journal of Current Cultural Research
Photographic and Visual Arts
article

Imagined pasts: photography, colonialism, and archives

Filipa Lowndes Vicente, Inês Ponte, Maria José Lobo Antunes
article en

Abstract

This special section, with texts by six researchers, three of whom are also the volume’s editors, spans diverse geographical spaces – Portugal, Angola, São Tomé and Príncipe, Indonesia, and the Netherlands – and a long chronology from the mid-nineteenth century to the present. The authors employ diverse methodologies to examine the meanings and uses of photographic images and archives within the Portuguese and Dutch colonial contexts, across religion, medicine, state bureaucracy, independence wars, ethnology, and private and commercial uses. Most contributions focus on specific archival collections or on tracing photographic materials dispersed across different repositories. Together, they examine how photographic images are produced, circulated, and revisited, and how they shape intimate, historical, and political understandings of the colonial past. “Imagining” – the play between image and imagining that inspired our title – reminds us that the past is always approached from the present, even as the present itself becomes history.

Culture Unbound Journal of Current Cultural ResearchVol. 18(3)
University of Lisbon (PT), Instituto de Ciências Sociais da Universidade de Lisboa (PT)
Openalex Percentile: Top 2%
Photographic and Visual Arts
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