Safe States: Synchronic Liminality in Survival Horror

The video essay opens in a panic. The player is low on health and out of ammo in Signalis, and the key she needs won't fit in her inventory. Then a door hisses shut and "Moonlight Sonata" begins to play. Gertridge and Kim look at the few places in survival horror where the player gets to stop, like the save rooms of Signalis and the frozen dawn in Darkwood. The two authors take turns narrating over footage of their own play. They ask what kind of place a save room is, and why it never feels entirely safe.

Authors

Publication Details

Journal
Washington State University
Published
2026-10-27
DOI
https://doi.org/10.7273/pawb-yq32
Primary Topic
Digital Games and Media
Type
article
Field-Weighted Citation Impact
0.00
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article

Safe States: Synchronic Liminality in Survival Horror

Claire Kim, Abby-Jean Gertridge
Washington State University
Digital Games and Media
article

Safe States: Synchronic Liminality in Survival Horror

Claire Kim, Abby-Jean Gertridge
article en

Abstract

The video essay opens in a panic. The player is low on health and out of ammo in Signalis, and the key she needs won't fit in her inventory. Then a door hisses shut and "Moonlight Sonata" begins to play. Gertridge and Kim look at the few places in survival horror where the player gets to stop, like the save rooms of Signalis and the frozen dawn in Darkwood. The two authors take turns narrating over footage of their own play. They ask what kind of place a save room is, and why it never feels entirely safe.

Washington State University
Openalex Percentile: Top 6%
Digital Games and Media
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Safe States: Synchronic Liminality in Survival Horror — Claire Kim, Abby-Jean Gertridge · Washington State University (2026) | TGRS Research Map | TGRS