A Study on Construction Paths of Cultural Identity for National-Style Animation IPsUnder the Vision of Generation-Z Aesthetics

D digital technology has fueled the sustained development of Chinese-style animation. As the primary audience for Chinese-style content and trendy cultural-and-creative products, Generation Z has formed a unique aesthetic system characterized by a preference for lightweight visuals, complete character narratives and participatory co-creation. Nevertheless, most current Chinese-style animation productions suffer from the excessive stacking of cultural symbols and polarization of visual styles. Retro-styled and heavy-weighted character designs are out of touch with youth aesthetics, while blind imitation of foreign designs weakens the core of local culture. Furthermore, the lack of mechanisms for user-led co-creation and long-term derivative operation makes it difficult for Generation Z to develop a stable sense of cultural belonging. Based on a complete practical project covering character image design inspired by traditional Tang-dynasty aesthetics, trendy cultural-and-creative product development, iteration through public surveys and AIGC-assisted creation, this paper explores effective paths for Chinese-style animation IPs to construct youth cultural identity from the aesthetic perspective of Generation Z.

Authors

Publication Details

Journal
International Journal of Law Ethics and Social Sciences
Published
2026-10-26
DOI
https://doi.org/10.70088/5tf6dm33
Primary Topic
Digital Media and Visual Art
Type
article
Field-Weighted Citation Impact
0.00
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article

A Study on Construction Paths of Cultural Identity for National-Style Animation IPsUnder the Vision of Generation-Z Aesthetics

Chunhong Lu, Yifei Ge, Yiyao Cheng, Yiwen Ai et al.
International Journal of Law Ethics and Social Sciences
Digital Media and Visual Art
article

A Study on Construction Paths of Cultural Identity for National-Style Animation IPsUnder the Vision of Generation-Z Aesthetics

Chunhong Lu, Yifei Ge, Yiyao Cheng, Yiwen Ai, Ruowen Yang, Yuying Pan
article en

Abstract

D digital technology has fueled the sustained development of Chinese-style animation. As the primary audience for Chinese-style content and trendy cultural-and-creative products, Generation Z has formed a unique aesthetic system characterized by a preference for lightweight visuals, complete character narratives and participatory co-creation. Nevertheless, most current Chinese-style animation productions suffer from the excessive stacking of cultural symbols and polarization of visual styles. Retro-styled and heavy-weighted character designs are out of touch with youth aesthetics, while blind imitation of foreign designs weakens the core of local culture. Furthermore, the lack of mechanisms for user-led co-creation and long-term derivative operation makes it difficult for Generation Z to develop a stable sense of cultural belonging. Based on a complete practical project covering character image design inspired by traditional Tang-dynasty aesthetics, trendy cultural-and-creative product development, iteration through public surveys and AIGC-assisted creation, this paper explores effective paths for Chinese-style animation IPs to construct youth cultural identity from the aesthetic perspective of Generation Z.

International Journal of Law Ethics and Social Sciences
Openalex Percentile: Top 5%
Digital Media and Visual Art
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A Study on Construction Paths of Cultural Identity for National-Style Animation IPsUnder the Vision of Generation-Z Aesthetics — Chunhong Lu, Yifei Ge, et al. · International Journal of Law Ethics and Social Sciences (2026) | TGRS Research Map | TGRS