THE EVOLUTION OF VISUAL EXPRESSION MEANS IN THE ART OF UZBEK ANIMATION

This article presents a scientific and theoretical analysis of the formation and historical development of Uzbek animation, with particular emphasis on the visual expressive means that shape the visual language of national animated films. It examines frame composition, colour dramaturgy, the synthesis of national miniature painting and ornamental motifs, as well as the aesthetic transformations associated with the transition from traditional animation techniques to modern 3D and cel-shading technologies. The findings reveal the distinctive national and artistic characteristics of Uzbek animation, the specific features of its compositional and plastic solutions, and the key trends in the development of its visual language.