Infinite Continuum-Studio Documentation of 20 piece artwork grid

Infinite Continuum is a 20-piece modular abstract painting installation (16×16 inches16×16 inches per canvas) that transforms international travel constraints into an evolving, reconfigurable artwork. Conceptually, the work explores historical maritime, cultural, and trade passages between India and Qatar, reflecting fluid migration across the Indian Ocean. Designed without a fixed orientation, the 20 panels can be continually reordered to reveal new horizon lines and spatial harmonies, granting curators and owners active creative agency. Each panel functions both as an autonomous micro-composition and as part of a collective grid that seamlessly re-forms if individual pieces are acquired. Materially, a heavy gesso foundation combined with Annie Sloan chalk paint and heavy-body acrylics creates a matte, weathered relief. This tactile surface evokes desert sands, coastlines, and aged dhow timbers, anchoring a vibrant regional palette in physical history.

Authors

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-10-18
DOI
https://doi.org/10.5281/zenodo.23448795
Primary Topic
Artistic and Creative Research
Type
article
Field-Weighted Citation Impact
0.00
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article

Infinite Continuum-Studio Documentation of 20 piece artwork grid

harmeet singh
Zenodo (CERN European Organization for Nuclear Research)
Artistic and Creative Research
article

Infinite Continuum-Studio Documentation of 20 piece artwork grid

harmeet singh
article en

Abstract

Infinite Continuum is a 20-piece modular abstract painting installation (16×16 inches16×16 inches per canvas) that transforms international travel constraints into an evolving, reconfigurable artwork. Conceptually, the work explores historical maritime, cultural, and trade passages between India and Qatar, reflecting fluid migration across the Indian Ocean. Designed without a fixed orientation, the 20 panels can be continually reordered to reveal new horizon lines and spatial harmonies, granting curators and owners active creative agency. Each panel functions both as an autonomous micro-composition and as part of a collective grid that seamlessly re-forms if individual pieces are acquired. Materially, a heavy gesso foundation combined with Annie Sloan chalk paint and heavy-body acrylics creates a matte, weathered relief. This tactile surface evokes desert sands, coastlines, and aged dhow timbers, anchoring a vibrant regional palette in physical history.

Zenodo (CERN European Organization for Nuclear Research)
Openalex Percentile: Top 1%
Artistic and Creative Research
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