Writing a dirty history of photography: An interview with Michelle Henning
This interview was conducted by Andrew Fisher and Simon Constantine in the spring of 2026 and focuses on Henning’s recent book A Dirty History of Photography (University of Chicago Press, 2026), which rethinks the history of photography in terms of the development of the chemical industries and mineral extraction, early twentieth-century material from the Ilford company archives, the poetics of atmosphere and intertwined economic and colonial impact of coal tar extraction. Henning constructs a constellatory historical investigation into how these intertwined factors combine to inform our understanding of the ongoing environmental impact of chemical-based photographies. The interview focuses, in particular, on the methodological approach and the theoretical framing of these timely critical concerns.
Authors
- Andrew Fisher (ORCID: https://orcid.org/0000-0002-8913-4165)
- Simon Constantine (ORCID: https://orcid.org/0009-0005-1315-8469)
- Michelle Henning (ORCID: https://orcid.org/0000-0003-3798-7227)
Institutions
- University of Leeds (GB)
- University of Liverpool (GB)
- Chinese Journal of Integrated Traditional and Western Medicine (CN)
Publication Details
- Journal
- Philosophy of Photography
- Published
- 2026-10-15
- DOI
- https://doi.org/10.1386/pop_00128_7
- Primary Topic
- Photographic and Visual Arts
- Type
- article
- Field-Weighted Citation Impact
- 0.00