Writing a dirty history of photography: An interview with Michelle Henning

This interview was conducted by Andrew Fisher and Simon Constantine in the spring of 2026 and focuses on Henning’s recent book A Dirty History of Photography (University of Chicago Press, 2026), which rethinks the history of photography in terms of the development of the chemical industries and mineral extraction, early twentieth-century material from the Ilford company archives, the poetics of atmosphere and intertwined economic and colonial impact of coal tar extraction. Henning constructs a constellatory historical investigation into how these intertwined factors combine to inform our understanding of the ongoing environmental impact of chemical-based photographies. The interview focuses, in particular, on the methodological approach and the theoretical framing of these timely critical concerns.

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Publication Details

Journal
Philosophy of Photography
Published
2026-10-15
DOI
https://doi.org/10.1386/pop_00128_7
Primary Topic
Photographic and Visual Arts
Type
article
Field-Weighted Citation Impact
0.00
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article

Writing a dirty history of photography: An interview with Michelle Henning

Andrew Fisher, Simon Constantine, Michelle Henning
Philosophy of Photography
Photographic and Visual Arts
article

Writing a dirty history of photography: An interview with Michelle Henning

Andrew Fisher, Simon Constantine, Michelle Henning
article en

Abstract

This interview was conducted by Andrew Fisher and Simon Constantine in the spring of 2026 and focuses on Henning’s recent book A Dirty History of Photography (University of Chicago Press, 2026), which rethinks the history of photography in terms of the development of the chemical industries and mineral extraction, early twentieth-century material from the Ilford company archives, the poetics of atmosphere and intertwined economic and colonial impact of coal tar extraction. Henning constructs a constellatory historical investigation into how these intertwined factors combine to inform our understanding of the ongoing environmental impact of chemical-based photographies. The interview focuses, in particular, on the methodological approach and the theoretical framing of these timely critical concerns.

Philosophy of Photography
University of Leeds (GB), University of Liverpool (GB), Chinese Journal of Integrated Traditional and Western Medicine (CN)
Openalex Percentile: Top 2%
Photographic and Visual Arts
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