Digitally Mediated Heritage Tourism for Sustainable Heritage Management: Evidence from the Liangzhu Heritage Site

How heritage tourism scenes evolve alongside digital mediation and how different forms of mediation are represented in visitor accounts remain insufficiently understood. This study examines the Liangzhu heritage site, centred on the Archaeological Ruins of Liangzhu City, using 7172 visitor-generated online records collected from six major Chinese social media and travel platforms between 2015 and July 2025. A stage-based comparison contrasts the natural tourism stage (2015–2020) with the digitally mediated tourism stage (2020–2025), with records assigned to the corresponding stage-specific corpora based on temporal scope and record-level content eligibility. Word-frequency analysis, grounded-theory coding, social-semantic network analysis, and exploratory lexicon-based polarity analysis are combined to trace the stage-related evolution of the heritage tourism scene as represented in online visitor discourse. The results show that discourse in the digitally mediated tourism stage reflected a reconfiguration, rather than a replacement, of the represented heritage tourism scene: physical heritage remained the experiential anchor, while interpretation, interaction, and reconstructed experience became more prominent. AR-related discourse was associated mainly with guidance, recognition, and site-based interpretation, whereas VR-related discourse was associated with immersion, reconstructed scenes, and presence. Lexicon-derived polarity patterns were uneven: facilities, access, and management showed higher positive-polarity shares, while history, landscape, and overall visitor experience showed more mixed label distributions; some stage contrasts in positive-polarity shares were sensitive to platform composition. The findings extend the application of Cultural Scene Theory to stage-based analysis of digitally mediated heritage tourism by showing how cultural-scene elements are represented and connected in platform-mediated visitor discourse. They also offer evidence-informed implications for sustainable heritage interpretation and integrated visitor management, particularly regarding coherence among physical evidence, digital interpretation, visitor access, and service provision.

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Publication Details

Journal
Heritage
Published
2026-10-16
DOI
https://doi.org/10.3390/heritage9100435
Primary Topic
Diverse Aspects of Tourism Research
Type
article
Field-Weighted Citation Impact
0.00

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article

Digitally Mediated Heritage Tourism for Sustainable Heritage Management: Evidence from the Liangzhu Heritage Site

陈一丹, Alin Lin, Gangwei Cai, Huan Zhang et al.
Heritage
Diverse Aspects of Tourism Research
article

Digitally Mediated Heritage Tourism for Sustainable Heritage Management: Evidence from the Liangzhu Heritage Site

陈一丹, Alin Lin, Gangwei Cai, Huan Zhang, Ziming Ren, Jingwen Shan
article en

Abstract

How heritage tourism scenes evolve alongside digital mediation and how different forms of mediation are represented in visitor accounts remain insufficiently understood. This study examines the Liangzhu heritage site, centred on the Archaeological Ruins of Liangzhu City, using 7172 visitor-generated online records collected from six major Chinese social media and travel platforms between 2015 and July 2025. A stage-based comparison contrasts the natural tourism stage (2015–2020) with the digitally mediated tourism stage (2020–2025), with records assigned to the corresponding stage-specific corpora based on temporal scope and record-level content eligibility. Word-frequency analysis, grounded-theory coding, social-semantic network analysis, and exploratory lexicon-based polarity analysis are combined to trace the stage-related evolution of the heritage tourism scene as represented in online visitor discourse. The results show that discourse in the digitally mediated tourism stage reflected a reconfiguration, rather than a replacement, of the represented heritage tourism scene: physical heritage remained the experiential anchor, while interpretation, interaction, and reconstructed experience became more prominent. AR-related discourse was associated mainly with guidance, recognition, and site-based interpretation, whereas VR-related discourse was associated with immersion, reconstructed scenes, and presence. Lexicon-derived polarity patterns were uneven: facilities, access, and management showed higher positive-polarity shares, while history, landscape, and overall visitor experience showed more mixed label distributions; some stage contrasts in positive-polarity shares were sensitive to platform composition. The findings extend the application of Cultural Scene Theory to stage-based analysis of digitally mediated heritage tourism by showing how cultural-scene elements are represented and connected in platform-mediated visitor discourse. They also offer evidence-informed implications for sustainable heritage interpretation and integrated visitor management, particularly regarding coherence among physical evidence, digital interpretation, visitor access, and service provision.

HeritageVol. 9(10)
Zhejiang Sci-Tech University (CN), National University of Singapore (SG), Zhejiang University of Science and Technology (CN), Zhejiang University (CN)
Zhejiang Office of Philosophy and Social Science
Openalex Percentile: Top 6%
Diverse Aspects of Tourism Research
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