Bridging, Destabilisation, and Simulacrality: The Visual Rhetoric of Travel-Related Live Images on Xiaohongshu

As a visual form on contemporary social media platforms, Live Images transform the photographic instant into a short dynamic event through micro‑temporal extension and looped playback. When applied to travel imagery, this format doesn’t simply preserve a frozen scene, but foregrounds movement, temporal continuity, and visual detail in the presentation of travel experience, becoming a significant expressive pathway for travel imagery on digital platforms. Taking Xiaohongshu as a case study, this article conducts a content analysis of a purposive sample of highly engaged travel‑related Live Images posted between May 2024 and May 2025, with a sample of 772 images, and examines them from a visual rhetoric perspective. The findings suggest that travel Live Images tend to construct a rhetoric of presence, loosen the spatiotemporal closure associated with conventional still imagery, and organize travel experience through recurring visual tendencies related to bridging, destabilization, and simulacrality in platform‑based circulation.

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Publication Details

Journal
Journal of China Tourism Research
Published
2026-10-15
DOI
https://doi.org/10.1080/19388160.2026.2742421
Primary Topic
Photography and Visual Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Bridging, Destabilisation, and Simulacrality: The Visual Rhetoric of Travel-Related Live Images on Xiaohongshu

Jun Tan, Fang Xie, Jiayi He
Journal of China Tourism Research
Photography and Visual Culture
article

Bridging, Destabilisation, and Simulacrality: The Visual Rhetoric of Travel-Related Live Images on Xiaohongshu

Jun Tan, Fang Xie, Jiayi He
article en

Abstract

As a visual form on contemporary social media platforms, Live Images transform the photographic instant into a short dynamic event through micro‑temporal extension and looped playback. When applied to travel imagery, this format doesn’t simply preserve a frozen scene, but foregrounds movement, temporal continuity, and visual detail in the presentation of travel experience, becoming a significant expressive pathway for travel imagery on digital platforms. Taking Xiaohongshu as a case study, this article conducts a content analysis of a purposive sample of highly engaged travel‑related Live Images posted between May 2024 and May 2025, with a sample of 772 images, and examines them from a visual rhetoric perspective. The findings suggest that travel Live Images tend to construct a rhetoric of presence, loosen the spatiotemporal closure associated with conventional still imagery, and organize travel experience through recurring visual tendencies related to bridging, destabilization, and simulacrality in platform‑based circulation.

Journal of China Tourism Research
Qingdao University (CN), Jiangsu Ocean University (CN)
Openalex Percentile: Top 1%
Photography and Visual Culture
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