Reaching for connection in the compassionate communication course

In this article, I describe two activities conducted on the second day of my Compassionate Communication course and explain how they cultivate critical community reflexivity. The activities—Crossing the Line and Tangles—move students through an experience of identifying individual and group differences, noticing what belonging/not-belonging feels like in a learning community, and collaborating to solve a physical challenge. The small group debrief and class discussion invite reflection on individual and class dynamics. The intentional, early inclusion of these embodied, communal activities highlights connections between individual actions and emerging social norms that will support dialogue throughout the course.

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Publication Details

Journal
Text and Performance Quarterly
Published
2026-10-14
DOI
https://doi.org/10.1080/10462937.2026.2744630
Primary Topic
Theatre and Performance Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Reaching for connection in the compassionate communication course

Elissa Foster
Text and Performance Quarterly
Theatre and Performance Studies
article

Reaching for connection in the compassionate communication course

Elissa Foster
article en

Abstract

In this article, I describe two activities conducted on the second day of my Compassionate Communication course and explain how they cultivate critical community reflexivity. The activities—Crossing the Line and Tangles—move students through an experience of identifying individual and group differences, noticing what belonging/not-belonging feels like in a learning community, and collaborating to solve a physical challenge. The small group debrief and class discussion invite reflection on individual and class dynamics. The intentional, early inclusion of these embodied, communal activities highlights connections between individual actions and emerging social norms that will support dialogue throughout the course.

Text and Performance Quarterly
DePaul University (US)
Openalex Percentile: Top 2%
Theatre and Performance Studies
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