L. S. Kim, Maid for Television: Race, Class, Gender, and a Representational Economy

pursues an intertextual and historical analysis of domestic servants throughout American television in Maid for Television: Race, Class, Gender, and a Representational Economy.Kim weaves together in-depth episode analyses from various television programs with overarching cultural themes to examine how race operates as a representational frame that "economizes" differences (p.164).This analysis has meaningful implications for critical race theorists, media producers, feminist scholarship, and intersectional media studies scholars.The book tackles the figure of the racialized domestic servant in U.S. television from the 1950s up until

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Publication Details

Journal
International journal of communication
Published
2026-10-14
DOI
https://doi.org/10.65476/g86gaf75
Primary Topic
Cultural Identity and Representation
Type
article
Field-Weighted Citation Impact
0.00
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article

L. S. Kim, Maid for Television: Race, Class, Gender, and a Representational Economy

Kayla Wentzel
International journal of communication
Cultural Identity and Representation
article

L. S. Kim, Maid for Television: Race, Class, Gender, and a Representational Economy

Kayla Wentzel
article en

Abstract

pursues an intertextual and historical analysis of domestic servants throughout American television in Maid for Television: Race, Class, Gender, and a Representational Economy.Kim weaves together in-depth episode analyses from various television programs with overarching cultural themes to examine how race operates as a representational frame that "economizes" differences (p.164).This analysis has meaningful implications for critical race theorists, media producers, feminist scholarship, and intersectional media studies scholars.The book tackles the figure of the racialized domestic servant in U.S. television from the 1950s up until

International journal of communicationVol. 20
Rutgers, The State University of New Jersey (US)
Gender equality, Reduced inequalities
Openalex Percentile: Top 3%
Cultural Identity and Representation
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