Time in Movies and Animation

As questions about time suddenly came pouring out, I needed a way to hold onto them before they disappeared. My approach was to apply these questions to how time is portrayed in movies and animation—with the primary purpose of keeping those questions alive. This exploratory study applies twenty questions about time to eighteen films and animated works. Fourteen initial questions were supplemented by six questions arising during the analysis. Time appears as lifespan, property and currency, as repetition, inversion and relative passage, and as memory, relationships and generations. The examples are compared and the questions provisionally organized into seven analytical areas. The central contribution is a set of questions accompanied by films as materials for further inquiry. Readers may freely add or revise the questions and works, or develop entirely different analyses.

Authors

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-10-13
DOI
https://doi.org/10.5281/zenodo.23298792
Primary Topic
Cinema History and Criticism
Type
article
Field-Weighted Citation Impact
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article

Time in Movies and Animation

Younghoon Choi
Zenodo (CERN European Organization for Nuclear Research)
Cinema History and Criticism
article

Time in Movies and Animation

Younghoon Choi
article en

Abstract

As questions about time suddenly came pouring out, I needed a way to hold onto them before they disappeared. My approach was to apply these questions to how time is portrayed in movies and animation—with the primary purpose of keeping those questions alive. This exploratory study applies twenty questions about time to eighteen films and animated works. Fourteen initial questions were supplemented by six questions arising during the analysis. Time appears as lifespan, property and currency, as repetition, inversion and relative passage, and as memory, relationships and generations. The examples are compared and the questions provisionally organized into seven analytical areas. The central contribution is a set of questions accompanied by films as materials for further inquiry. Readers may freely add or revise the questions and works, or develop entirely different analyses.

Zenodo (CERN European Organization for Nuclear Research)
Openalex Percentile: Top 2%
Cinema History and Criticism
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