The Timbre, Structure and Emotion of the Guitar Instrument Carried in Musical Works

This paper seeks to examine the role of the guitar, based on the classical, acoustic and electric instrument, through the analysis of some of the most influential works in the history of world music. Through an interdisciplinary analysis that combines musicology, psychoacoustics, and philosophical aesthetics, the paper examines the reasons why the guitar instrument occupies a central role in the harmonious creation of musical masterpieces. The aim of this paper is to decode the emotional spectrum that stems from the direct contact of the body with the string, the flexibility of timbre articulation and the manipulation of digital acoustics. Through the analysis of world works created by Joaquín Rodrigo, Paco de Lucía, Led Zeppelin and Pink Floyd, or even Albanian light music, the paper proves that the guitar part comes as a unique bridge between intimacy and expressive grandeur, becoming the primary voice of existential experience in the music of the 20th and 21st centuries.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-10-09
DOI
https://doi.org/10.5281/zenodo.23261692
Primary Topic
Musicology and Musical Analysis
Type
article
Field-Weighted Citation Impact
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article

The Timbre, Structure and Emotion of the Guitar Instrument Carried in Musical Works

Dashamir Mehmeti
Zenodo (CERN European Organization for Nuclear Research)
Musicology and Musical Analysis
article

The Timbre, Structure and Emotion of the Guitar Instrument Carried in Musical Works

Dashamir Mehmeti
article en

Abstract

This paper seeks to examine the role of the guitar, based on the classical, acoustic and electric instrument, through the analysis of some of the most influential works in the history of world music. Through an interdisciplinary analysis that combines musicology, psychoacoustics, and philosophical aesthetics, the paper examines the reasons why the guitar instrument occupies a central role in the harmonious creation of musical masterpieces. The aim of this paper is to decode the emotional spectrum that stems from the direct contact of the body with the string, the flexibility of timbre articulation and the manipulation of digital acoustics. Through the analysis of world works created by Joaquín Rodrigo, Paco de Lucía, Led Zeppelin and Pink Floyd, or even Albanian light music, the paper proves that the guitar part comes as a unique bridge between intimacy and expressive grandeur, becoming the primary voice of existential experience in the music of the 20th and 21st centuries.

Zenodo (CERN European Organization for Nuclear Research)
University of Arts (AL)
Openalex Percentile: Top 1%
Musicology and Musical Analysis
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The Timbre, Structure and Emotion of the Guitar Instrument Carried in Musical Works — Dashamir Mehmeti · Zenodo (CERN European Organization for Nuclear Research) (2026) | TGRS Research Map | TGRS