Colonial inheritance and postcolonial betrayal: A new historicist reading of decay in Nairobi Noir

The article contends that decay in some short stories from Nairobi Noir, edited by Peter Kimani, is not an incidental or purely individual phenomenon but a traceable outcome of historical events: colonial urbanism, colonial urban planning and the internalisation of colonial power, as well as post-independence governance failures such as state violence and ethnic profiling. Drawing on New Historicism, the article reads ‘The Hermit in the Helmet’, ‘Have Another Roti’ and ‘She Dug Two Graves’ as literature that responds to Nairobi’s spatial heritage of colonialism and its political legacy from the post-independence era, before articulating the ways in which ‘economic inequality’ is dramatised in the anthology’s subtexts by ‘Say You Are Not My Son’ and ‘Andaki’, and the pathways out of decay that these works collectively imagine.

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Publication Details

Journal
Nairobi Journal of Humanities and Social Sciences
Published
2026-10-06
DOI
https://doi.org/10.58256/0r3b6a59
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Colonial inheritance and postcolonial betrayal: A new historicist reading of decay in Nairobi Noir

Charles Kebaya, Larry Ndivo, Victoria Kivindyo
Nairobi Journal of Humanities and Social Sciences
Postcolonial and Cultural Literary Studies
article

Colonial inheritance and postcolonial betrayal: A new historicist reading of decay in Nairobi Noir

Charles Kebaya, Larry Ndivo, Victoria Kivindyo
article en

Abstract

The article contends that decay in some short stories from Nairobi Noir, edited by Peter Kimani, is not an incidental or purely individual phenomenon but a traceable outcome of historical events: colonial urbanism, colonial urban planning and the internalisation of colonial power, as well as post-independence governance failures such as state violence and ethnic profiling. Drawing on New Historicism, the article reads ‘The Hermit in the Helmet’, ‘Have Another Roti’ and ‘She Dug Two Graves’ as literature that responds to Nairobi’s spatial heritage of colonialism and its political legacy from the post-independence era, before articulating the ways in which ‘economic inequality’ is dramatised in the anthology’s subtexts by ‘Say You Are Not My Son’ and ‘Andaki’, and the pathways out of decay that these works collectively imagine.

Nairobi Journal of Humanities and Social Sciences
Openalex Percentile: Top 1%
Postcolonial and Cultural Literary Studies
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