Poetik der Enttäuschung: Erinnerung, Raum und Narrative Form bei Christa Wolf und Marek Hłasko

This article offers a transnational reading of Christa Wolf’s Der geteilte Himmel (1963) and Marek Hłasko’s Następny do raju (1958) as literary responses to generational disillusionment shaped by the political transformations and crises of the 1950s in East-Central Europe. It argues that disappointment functions not merely as a thematic motif but as a generative narrative logic structuring temporality, memory, space, and embodiment. Drawing selectively on memory and trauma theory, most notably Dominick LaCapra’s distinction between ‘working through’ and ‘acting out’, the analysis contrasts Wolf’s reflexive poetics of integration with Hłasko’s radically disintegrative staging of collapse. By situating both texts within the shared horizon of retrospective disillusionment following the brief ‘Thaw’, the article reframes Der geteilte Himmel beyond a purely GDR-specific context and places it within a broader East-Central European constellation of disappointed socialist modernity. It thus contributes to a transnationally expanded perspective in German Studies.

Authors

Institutions

Publication Details

Journal
Oxford German Studies
Published
2026-10-07
DOI
https://doi.org/10.1080/00787191.2026.2717754
Primary Topic
German Literature and Culture Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Poetik der Enttäuschung: Erinnerung, Raum und Narrative Form bei Christa Wolf und Marek Hłasko

Michał Jakubski
Oxford German Studies
German Literature and Culture Studies
article

Poetik der Enttäuschung: Erinnerung, Raum und Narrative Form bei Christa Wolf und Marek Hłasko

Michał Jakubski
article en

Abstract

This article offers a transnational reading of Christa Wolf’s Der geteilte Himmel (1963) and Marek Hłasko’s Następny do raju (1958) as literary responses to generational disillusionment shaped by the political transformations and crises of the 1950s in East-Central Europe. It argues that disappointment functions not merely as a thematic motif but as a generative narrative logic structuring temporality, memory, space, and embodiment. Drawing selectively on memory and trauma theory, most notably Dominick LaCapra’s distinction between ‘working through’ and ‘acting out’, the analysis contrasts Wolf’s reflexive poetics of integration with Hłasko’s radically disintegrative staging of collapse. By situating both texts within the shared horizon of retrospective disillusionment following the brief ‘Thaw’, the article reframes Der geteilte Himmel beyond a purely GDR-specific context and places it within a broader East-Central European constellation of disappointed socialist modernity. It thus contributes to a transnationally expanded perspective in German Studies.

Oxford German Studies
University of Silesia in Katowice (PL)
Openalex Percentile: Top 1%
German Literature and Culture Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.