War and hope in ancient Iranian culture: A psychoanalytic perspective

This essay examines themes of war and hope in ancient Iranian culture from a psychoanalytic perspective. Psychoanalytic theories explain the causes of war in the light of Oedipal conflicts, attachment, individuation experiences with mothers, and basic infantile fears and fantasies. Thus, childhood fantasies about significant figures and cultural myths and symbols are related to reactions toward war and feelings of hope for being saved from it. Altogether, four categories of myths and symbols (i.e., imaginal, human masculine and feminine heroes, objects, and celebrations) may serve as containers for people's experiences of trauma and hope during and after war. Thus, symbols and myths, inspired through language and social imagery at both the conscious and unconscious levels, led people toward a sense of collective cohesion during the war and fostered their hopeful attitudes. This encouraged hope, arising from the threat to one's survival by thanatos, and the unconscious impressions enthused by myths and symbols for salvation from the disaster, and these may generate hope as a manifestation of eros. Nevertheless, following the ceasefire, the ego assesses the actual world, which may result in certain social reorganizations aimed at ensuring a privileged homeland.

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Publication Details

Journal
International Forum of Psychoanalysis
Published
2026-09-25
DOI
https://doi.org/10.1080/0803706x.2026.2716242
Primary Topic
Islamic Studies and History
Type
article
Field-Weighted Citation Impact
0.00
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article

War and hope in ancient Iranian culture: A psychoanalytic perspective

Siamak Khodarahimi
International Forum of Psychoanalysis
Islamic Studies and History
article

War and hope in ancient Iranian culture: A psychoanalytic perspective

Siamak Khodarahimi
article en

Abstract

This essay examines themes of war and hope in ancient Iranian culture from a psychoanalytic perspective. Psychoanalytic theories explain the causes of war in the light of Oedipal conflicts, attachment, individuation experiences with mothers, and basic infantile fears and fantasies. Thus, childhood fantasies about significant figures and cultural myths and symbols are related to reactions toward war and feelings of hope for being saved from it. Altogether, four categories of myths and symbols (i.e., imaginal, human masculine and feminine heroes, objects, and celebrations) may serve as containers for people's experiences of trauma and hope during and after war. Thus, symbols and myths, inspired through language and social imagery at both the conscious and unconscious levels, led people toward a sense of collective cohesion during the war and fostered their hopeful attitudes. This encouraged hope, arising from the threat to one's survival by thanatos, and the unconscious impressions enthused by myths and symbols for salvation from the disaster, and these may generate hope as a manifestation of eros. Nevertheless, following the ceasefire, the ego assesses the actual world, which may result in certain social reorganizations aimed at ensuring a privileged homeland.

International Forum of Psychoanalysis
Openalex Percentile: Top 3%
Islamic Studies and History
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War and hope in ancient Iranian culture: A psychoanalytic perspective — Siamak Khodarahimi · International Forum of Psychoanalysis (2026) | TGRS Research Map | TGRS